Showing posts with label Short Story Collection. Show all posts

The sun is bright but that doesn't mean you can't still have your horror dark.  The summer always brings a spate of new scares and J...



The sun is bright but that doesn't mean you can't still have your horror dark. 
The summer always brings a spate of new scares and June promises to bring a bounty of fresh new reads your way. 

Check out just a few of the summertime scares headed your way this month. 

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Screams From the Dark: Tales of Monsters and the Monstrous, ed. Ellen Datlow.

Publication date: June 7th, 2022 by Tor Nightfire

 
A bone-chilling new anthology from legendary horror editor, Ellen Datlow, Screams from the Dark contains twenty-nine all-original tales about monsters.

From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous?

Award-winning and up-and-coming authors like Richard Kadrey, Cassandra Khaw, Indrapramit Das, Priya Sharma, and more attempt to answer this question. These all-new stories range from traditional to modern, from mainstream to literary, from familiar monsters to the unknown … and unimaginable.

This chilling collection has something to please—and terrify—everyone, so lock your doors, hide under your covers, and try not to scream.

Contributors include: Ian Rogers, Fran Wilde, Gemma Files, Daryl Gregory, Priya Sharma, Brian Hodge, Joyce Carol Oates, Indrapramit Das, Siobhan Carroll, Richard Kadrey, Norman Partridge, Garry Kilworth, CaitlĂ­n R. Kiernan, Chikodili Emelumadu, Glen Hirshberg, A. C. Wise, Stephen Graham Jones, Kaaron Warren, Livia Llewellyn, Carole Johnstone, Margo Lanagan, Joe R. Lansdale, Brian Evenson, Nathan Ballingrud, Cassandra Khaw, Laird Barron, Kristi DeMeester, Jeffrey Ford, and John Langan. 

Blood Mountain by Brenda S. Tolian

Publication date: June 8th, 2022 by Raw Dog Screaming Press

 
In this mosaic of Southwestern Gothic Horror, a primordial goddess awakens deep within the Sangre de Cristo Mountains. The mountain hungers for revenge as invaders leave her emaciated with their greed and brutality. She cries out for blood, infusing the minds of those who do not belong—twisting them outwardly into the dark forms of their true intentions.

An Under Sheriff struggles to grasp brittle threads of hope within the valley and mountains, his soul tormented by the unanswered questions of crimes he can’t explain and the dead and missing he could not help. The demented Red Women fracture the meaning of being maiden, mother, and crone within the shadows of twisted belief systems. Men and women devolve into the grotesque, drowning in their greed and violence transmuting into creatures too hideous to name. Others find seduction on her rocky hips and release within the baptism of her blood. The valley steeped in cults and crime hides something dark, where mirage plays with the senses, disappearances go unexplained, UFOs and creatures await watching in hunger.

This composite novel of interwoven stories and brief vignettes invites the reader to hear the hypnotic call of the Blood Mountain. Will she ask you into her vortex or swallow you whole?



There’s More of Us Than You Know, ed. Spencer Hamilton

 

Publication date: June 13, 2022 by Blood Rites Horror

 

We're here. All this time, lurking in the shadows. The queer experience has run wild in horror for decades, and there are those who would deny us our time in the spotlight, our time covered in blood. But no longer. We're stepping out of the shadows, and screaming till our throats shred:

There's more of us than you know.

This exciting new anthology brings stories from 12 brilliant minds within the LGBTQIA+ community together to celebrate queer horror. Our stories run the gamut, from overt queer themes to classic horror tales starring queer protagonists, from campy to literary to weird and every shadowy niche in between. We invite you to come along and allow us to terrify you.

But take comfort . . . you're not alone.



The Path of Thorns by A.G. Slatter

Publication date: June 14th, 2022 by Titan Books

 

Alone in the world, Asher Todd travels to the remote estate of Morwood Grange to become governess to three small children. Her sole possessions comprise a sea chest and a large carpet bag she hangs onto for dear life. She finds a fine old home, its inhabitants proud of their lineage and impeccable reputation, and a small village nearby. It seems an untroubled existence, yet there are portraits missing from the walls, locked rooms, and names excised from the family tree inscribed in the bible. In short order, the children adore her, she becomes indispensible to their father Luther in his laboratory, and her potions are able to restore the sight of granddame Leonora. Soon Asher fits in as if she’s always been there, but there are creatures that stalk the woods at night, spectres haunt the halls, and Asher is not as much a stranger to the Morwoods as it might at first appear.



 


The Hangman Feeds the Jackal: A Gothic Western by Coy Hall

Publication date: June 14th 2022 by Nosetouch Press

 

Elijah Valero is a gunfighter afflicted with terrifying hallucinations, including a pervasive one of The Hangman out to kill him.

Dogged by the relentless specter of the Hangman, Valero mistakenly kills innocent victims and is forced to hide in an abandoned monastery for his own safety and for those of others. Once there, he encounters far greater dangers than the imaginary Hangman, and gains a bid for redemption as he faces down some silver-hungry drifters out to terrorize a town for its riches. Fans of the Weird West and Gothic Horror will find satisfaction in THE HANGMAN FEEDS THE JACKAL. 




Boys, Beasts & Men by Sam J. Miller

Publication date: June 14th 2022 by Tachyon Publications

 

Despite his ability to control the ambient digital cloud, a foster teen falls for a clever con-man. Luring bullies to a quarry, a boy takes clearly enumerated revenge through unnatural powers of suggestion. In the aftermath of a shapeshifting alien invasion, a survivor fears that he brought something out of the Arctic to infect the rest of the world. A rebellious group of queer artists create a new identity that transcends even the anonymity of death.




Diet Riot: A Fatterpunk Anthology ed. Nico Bell and Sonora Taylor
 

Publication date: June 21st 2022 

"Diet Riot: A Fatterpunk Anthology" features twelve fat-positive horror tales of people who come into their own, celebrate their curves, and save the day. There are babysitters and bakers, thieves and roller derby stars. Young women unsure about their bodies meet demons and water spirits who offer assistance–in their own way, of course. Danger lurks in hospitals, in the mysterious occult shop in the local mall, and in a house filled with cats. Campers, trash collectors, and house flippers alike uncover nasty secrets underground. A myriad of horrors await you–none of which comes at the expense of fat bodies.



It’s time to reclaim the “f” word. 




Not Good for Maidens by Tori Bovalino

Publication date:  June 21st 2022 by Page Street Kids
 

Salem’s Lot meets The Darkest Part of the Forest in this horror-fantasy retelling of Christina Rossetti’s “Goblin Market.”

Lou never believed in superstitions or magic--until her teenage aunt Neela is kidnapped to the goblin market.

The market is a place Lou has only read about--twisted streets, offerings of sweet fruits and incredible jewels. Everything--from the food and wares, to the goblins themselves--is a haunting temptation for any human who manages to find their way in.

Determined to save Neela, Lou learns songs and spells and tricks that will help her navigate this dangerous world and slip past a goblin's defenses--but she only has three days to find Neela before the market disappears and her aunt becomes one of them forever.

If she isn't careful, the market might just end up claiming her too.




We Can Never Leave This Place by Eric LaRocca

Publication date: June 24th, 2022 by JournalStone

 
"When you're given a gift, something else gets taken away."

A precocious young girl with an unusual imagination is sent on an odyssey into the depths of depravity. After her father dies violently, young Mara is surprised to find her mother welcoming a new guest into their home, claiming that he will protect them from the world of devastation and destruction outside their door.

A grotesque and thrilling dark fantasy, We Can Never Leave This Place is a harrowing portrait of inherited grief and familial trauma.

The Clackity by Lora Senf

Publication date:  June 28th, 2022 by Atheneum Books for Young Readers

 
Reminiscent of Doll Bones, this deliciously eerie middle grade novel tells the story of a girl who must enter a world of ghosts, witches, and monsters to play a game with deadly consequences and rescue her aunt.

Evie Von Rathe lives in Blight Harbor—the seventh-most haunted town in America—with her Aunt Desdemona, the local paranormal expert. Des doesn’t have many rules except one: Stay out of the abandoned slaughterhouse at the edge of town. But when her aunt disappears into the building, Evie goes searching for her.

There she meets The Clackity, a creature who lives in the shadows and seams of the slaughterhouse. The Clackity makes a deal with Evie to help get Des back in exchange for the ghost of John Jeffrey Pope, a serial killer who stalked Blight Harbor a hundred years earlier. Evie must embark on a journey into a strange otherworld filled with hungry witches, penny-eyed ghosts, and a memory-thief, all while being pursued by a dead man whose only goal is to add Evie to his collection of lost souls.


Today's Author Spotlight is author Tyler Bell! Read on for the full interview. Publication date: September 17th, 2021 Goodreads In the d...



Today's Author Spotlight is author Tyler Bell!
Read on for the full interview.


Publication date: September 17th, 2021


In the dusty agave fields of the Guadalajara countryside, a peasant girl cuts a deal with the insidious thing living beneath her father’s house. An industrial accident aboard a space station in humanity’s distant future forces an unappreciated laborer to survive an unpredictable alien menace. A young man recounts his last days as the caretaker of a reclusive elderly woman in her remote - and possibly haunted - mansion. Welcome to the Westside Fairytales, where nothing is as it seems and everything is connected. A universe of possibility, horror, and madness spanning humanity’s past, present, and future. If you think you’re brave enough, and clever enough, then we entreat you to discover the mysteries of The Eyes Beneath My Father’s House.




Can you start out by telling us a little about your latest work? 


"The Eyes Beneath My Father's House" is a genre-spanning collection of ten horror and dark fiction short stories ranging from the coming-of-age tale of a young peasant girl who finds a demon living below her family home in the Guadalajara countryside, to a worker trying to survive an industrial accident aboard a space station in the distant future. It's available on Amazon and a few select stores in Appalachia!

Where did you get the inspiration to write this story?


From the blue collar work I've done my whole life and the people I've met in those jobs. I consider myself a sort of "working class" writer, and I want to represent folks not often seen in fiction.

When you developed the characters, did you already know who they were before you began writing or did they develop organically?


It's always a little of both, like knowing somebody's in a room but not really knowing them until you've met.

Which of your characters was your favorite to write and why?


Abella, the main character of the title story. She has an extremely intense story and things were always going to be hard on her. Seeing her develop and show off how resilient and resourceful she could be was amazing for me. The feedback from my fans on that character and that story has been amazing.

What was more important to you when you were writing: character development or plot?


Character development, for sure. If you don't care about the characters then why would you care about what they're doing?

What was one of the most surprising things you learned (about your story, about yourself, etc.) while writing?


Probably the shape and use of a tool called a "coa" that's used for harvesting agave. It's a really interesting tool (because of how spear-like it is) and it ended up becoming an important part of the story.

In your opinion what makes a good story?


Delivery of expectation. Stories usually come to people in two parts, an introduction that sets up the expectation and the payoff for that expectation. Usually people hunt for a story to feel some specific thing, and if they've felt that way by the end, had that experience, then I believe that was a good story.

How did publishing your first book change your process of writing?


It didn't at all, really, I'm still a coffee-addled hermit crab clacking away in my room until 4 a.m.

Do you read your book reviews? What do you consider "good" /"bad"?


I read all my reviews, it's like mainlining dopamine. Adrenaline if the review is mean, which I like as well because I'm kind of fucked up that way. I consider a review "good" if it addresses my story according to the expectations I had when writing it. I got a mean review one time that said, basically "these are clearly stories for girls," which is the finest compliment I could have been paid. That was my intention but the person didn't much like that about the stories, which ultimately made my day.

What led you to start writing?


I've always loved reading and I couldn't read when I walked to school, so I would make up stories in my head to pass the time. Eventually I started scribbling those down and here we are.

Do you have any writing superstitions?


Not really. I have a sort of ritual I always do before I start writing, which is to absolutely distract myself as much as I can from the story until I hit the "breaking point." Then I just drop everything and start typing. Usually for like four to six hours at a time.

What attracted you to the genre(s) you write in?


I write in so many genres its kind of hard to say, but I think I just like certain aesthetics of each one. Horror, specifically, mixes well with everything else (sci-fi, fantasy, western, romance) that it's like the salt I use making any dish. Mostly, I think I don't really write in a genre, but a "vibe," like the feeling of pulling a rough, warm jacket tighter over your shoulders while walking through the woods in a snowstorm. The comfort and the discomfort, perfectly juxtaposed and resonating in a perfect way.

What is one of your favorite words? OR Is there a word you find yourself using too often?


"Slipping, slipped." The concept of "slipping" is just so powerful to me. Not so much in the comical context, but in the way the sun slips beneath the horizon or you find time slipping through your hands and one day nobody recognizes the references you make. That powerful, intangible feeling is a wonderful pretense to set in any dark story.

What are you currently reading?


"The New Jim Crow: Mass Incarceration in the Age of Colorblindness" by Michelle Alexander. Really good.

A lot of authors have a soundtrack while writing. Are there are songs you had on repeat?


Like, insane nightmare shit nobody should listen to. "Somewhere at the End of Time," by the Caretaker. Random crap from Modulgeek. "City Song" by Daughters usually gets me going, and I'll always listen to all of "Dummy" from Portishead when I get a chance. Special shout out to the soundtrack to Pathologic, as well.

If you could tell your younger writing self anything, what would it be?


"Start now you fucking idiot."

What are a couple of your favorite movies to kick back with to relax?


"Jacobs Ladder" for sure. Absolutely a "try-hard" answer, lol, but that whole film just has a vibe to it that makes me feel very relaxed.

Which animal would you say is your spirit animal and why?


Bears. Sleepy, cuddly, and little grumpy is basically how I live my life.

Would you rather live in a haunted mansion or a cottage surrounded by fairytale creatures?


Haunted mansion surrounded by fairytale creatures. I love home improvement and unicorns, what can I say?

What is something about the genre that annoys you?


Probably the lack of great criticism within the genre. There's a lot of support for traditionally published authors in the critic sphere, but honestly not a lot of honest criticism for bad work from subpar and mediocre authors. Especially those authors related to certain iconoclasts within the genre.

What would you say is your most interesting writing quirk?


I have an EXTREME ocd when it comes to ending the final sentence of a paragraph at more than about 30 percent of the total paragraph length. This sounds insane, but basically my brain cannot accept ending a paragraph with just a single- or two-word sentence carrying into the last line. I'll rewrite entire paragraphs or work around entire concepts in order to get those goddam paragraphs squared to my liking. It's a sickness. 


Are you on social media and can your readers interact with you? What are your links?


I'm on all the relevant socials and I talk to people all the time. I love interacting, answering questions, and even dropping hints at stuff I'm working on at the time. @WSFairytales on twitter, Westside Fairytales on Insta and Facebook, and WestsideTyler on TikTok.

Do you have a favorite line that you've written? What is it and why do you like it?


Probably, "He parted his lips and sang for the tiger, hoping it could hear," from my story "Within as Without" about a former soldier hunting a group of men through an abandoned city after the end of a long war. It's the final line in the story and really sums up the feeling of the whole thing. I don't know exactly why, but I still read it and feel a little emotional. 

What advice would you like to pass on to aspiring writers that is unconventional but true?


Create your own style guide, stick to it when you can, and constantly find ways to amend it and perfect it. Don't necessarily write it all out -- I didn't -- but make sure you have a set of rules that you write by in mind at all times. Know why you're doing things, why you're making the decisions you make, and you'll find yourself happier with your end product more often than not.

Do you have a WIP? If so, can you tell us anything about it?


I literally just finished writing a 210k word monster of a story called "Sin Carriers," about a motely crew of criminals and misfits on a train headed eastbound from the West Coast in the early 1900s. On the way they have to survive encounters with monstrous creatures, horrific locales, and each other as they head deeper into a truly American nightmare. It's going to serve as the sixth season of my podcast The Westside Fairytales, and will start airing hopefully sometime this spring. It's free wherever you listen to podcasts and you can learn more at westsidefairytales.com!

Thanks so much for participating in the Author Spotlight! Anything you'd like to add?


Head over to Amazon and pick up a copy of my book, "The Eyes Beneath My Father's House" in paperback and ebook, and go to westsidefairytales.com to learn more about me and my podcast! Thanks for reading and Stay Safe Out There!



Tyler Bell is a USMC combat veteran, the host, author, and creator of the award winning Westside Fairytales podcast, and a former crime and courts journalist with bylines throughout the United States. He released his first collection of short horror and dark fiction stories "The Eyes Beneath My Father's House," in September of 2021, which LEO Weekly said "… deserves to be considered by the editors of the horror genre’s best-of annuals.” He currently lives in Louisville with his wife, Sam, their two rabbits, Marcel and Rosie, and their dog, Buck. Visit westsidefairytales.com to learn more about Tyler, the Westside Fairytales podcast, and "The Eyes Beneath My Father's House."




Publication date: December 10th 2021 Links:  Amazon  |  Goodreads Ten frightful, shocking and bizarre short stories for those with a taste f...


Publication date: December 10th 2021

Ten frightful, shocking and bizarre short stories for those with a taste for the weird.

Among these sordid tales you will find an abandoned factory full of eccentric squatters, a group of thrill seeking swingers drifting through the cosmos, a drifter who speaks only in poetry, an A.I judge with a passion for justice, and many more mind warping absurdities guaranteed to get you screaming in your sleep.

Are you ready to hold...The Hand That Pulls You Under? 

Read now


James Flynn’s artwork has taken on many forms over the years. For as long as he can remember he’s always been an artist in some way or another, but the nature of his work has always shifted and changed. As a child he enjoyed drawing faces, and although this particular pleasure would return later in life, his teenage years led him into a very different corner of the art world.

During the late 1990’s James got lured into the thriving London graffiti scene. This huge art movement, which had spread out from New York in the 1980’s, completely engulfed him and changed his life. His childhood portraits gave way to edgy, letter-based designs, and spray paint became his preferred medium. Getting his artwork up across the walls and train lines of the south of England was the only thing that mattered to him for many years, spurring on a new stage of his artistic evolution, but his participation in this underground scene could not last forever. Graffiti was turning him into a criminal, and after a few brushes with the law (as well as brushes with death whilst walking along busy train tracks at night) he decided to turn his attention back to more traditional (and safer) forms of art.


After focusing on letter-based designs for so long he was craving the more intricate nature of portraiture once again, and in his early twenties he began creating a new body of work. Combining all of his learned methods into one, he developed his style and execution in a big way. From around 2008 to 2016 James produced countless portraits, and even began to branch out into figurative work. This was an immensely creative time for him, but another evolutionary step was about to take place.


With so many ideas running through his head, James was beginning to feel frustrated by the limitations of visual art. He had so many visions that he wanted to portray, so many things that he wanted to express, but the medium he was using simply wouldn’t allow it. It was during this creative crisis that he decided to start writing. As James recalls: ‘Visual art can portray a hell of a lot, anyone who’s ever “lost themselves” in a painting can definitely vouch for that, but it still has less dimensions than writing. My creative streak was on overdrive and I needed an outlet for it, I needed a way to express it, and a book seemed like the only way to do it.’ His debut novel was published in early 2017, and at the time it was his biggest ever artistic pursuit. Conservation, a work of SF horror, contains James Flynn’s own blood, sweat and tears, and the book also symbolises the broadening of his artistic passion. Conservation changed the direction of James’s art, and now he has several books in the pipeline. His second book, The Edge of Insanity, is due to be released in 2020, and will be full of new drawings and sketches to accompany the stories that it’ll contain.

Although certain works are available for purchase on this site, James’s primary motivation for creating art is far from commercial. When working on a drawing, painting or book, his only intention is to make something of unique quality. ‘Selling my work is nice,’ he recalls, ‘but even if I knew that I’d never sell a single book or drawing, I’d still create them.’ Much of his work is dark and macabre in nature, focusing on the unpleasant aspects of existence. This may not be to everyone’s taste, but it’s become a trademark for James now, attracting a loyal niche following.

James Flynn’s artwork has taken on many forms over the years. For as long as he can remember he’s always been an artist in some way or another, but the nature of his work has always shifted and changed. As a child he enjoyed drawing faces, and although this particular pleasure would return later in life, his teenage years led him into a very different corner of the art world.

During the late 1990’s James got lured into the thriving London graffiti scene. This huge art movement, which had spread out from New York in the 1980’s, completely engulfed him and changed his life. His childhood portraits gave way to edgy, letter-based designs, and spray paint became his preferred medium. Getting his artwork up across the walls and train lines of the south of England was the only thing that mattered to him for many years, spurring on a new stage of his artistic evolution, but his participation in this underground scene could not last forever. Graffiti was turning him into a criminal, and after a few brushes with the law (as well as brushes with death whilst walking along busy train tracks at night) he decided to turn his attention back to more traditional (and safer) forms of art.

After focusing on letter-based designs for so long he was craving the more intricate nature of portraiture once again, and in his early twenties he began creating a new body of work. Combining all of his learned methods into one, he developed his style and execution in a big way. From around 2008 to 2016 James produced countless portraits, and even began to branch out into figurative work. This was an immensely creative time for him, but another evolutionary step was about to take place.

With so many ideas running through his head, James was beginning to feel frustrated by the limitations of visual art. He had so many visions that he wanted to portray, so many things that he wanted to express, but the medium he was using simply wouldn’t allow it. It was during this creative crisis that he decided to start writing. As James recalls: ‘Visual art can portray a hell of a lot, anyone who’s ever “lost themselves” in a painting can definitely vouch for that, but it still has less dimensions than writing. My creative streak was on overdrive and I needed an outlet for it, I needed a way to express it, and a book seemed like the only way to do it.’ His debut novel was published in early 2017, and at the time it was his biggest ever artistic pursuit. Conservation, a work of SF horror, contains James Flynn’s own blood, sweat and tears, and the book also symbolises the broadening of his artistic passion. Conservation changed the direction of James’s art, and now he has several books in the pipeline. His second book, The Edge of Insanity, is due to be released in 2020, and will be full of new drawings and sketches to accompany the stories that it’ll contain.

Although certain works are available for purchase on this site, James’s primary motivation for creating art is far from commercial. When working on a drawing, painting or book, his only intention is to make something of unique quality. ‘Selling my work is nice,’ he recalls, ‘but even if I knew that I’d never sell a single book or drawing, I’d still create them.’ Much of his work is dark and macabre in nature, focusing on the unpleasant aspects of existence. This may not be to everyone’s taste, but it’s become a trademark for James now, attracting a loyal niche following.be to everyone’s taste, but it’s become a trademark for James now, attracting a loyal niche following.

Publication date: May 4th, 2021 Links:  Amazon  |  Goodreads O ne of the most popular role-playing properties in the world gets new life wit...


Publication date: May 4th, 2021

One of the most popular role-playing properties in the world gets new life with this trio of horror novellas set in Vampire: The Masquerade's World of Darkness by three brilliant talents: Genevieve Gornichec, Cassandra Khaw, and Caitlin Starling

The subtle horror and infernal politics of the World of Darkness are shown in a new light in Vampire: The Masquerade: Walk Among Us, an audio-first collection of three novellas that show the terror, hunger, and power of the Kindred as you've never seen them before.

In Genevieve Gornichec's A SHEEP AMONG WOLVES, depression and radicalization go hand-in-hand as a young woman finds companionship in the darkness...

In Cassandra Khaw's FINE PRINT, an arrogant tech bro learns the importance of reading the fine print in the contract for immortality...

And in Caitlin Starling's THE LAND OF MILK AND HONEY, ideals and ethics bump heads with appetite on a blood farm.

Three very different stories from three amazing, distinct voices, but all with one thing in common: the hunger never stops, and for someone to experience power, many others are going to have to feel pain.

Read now
 

  

Walk Among Us is a collection of three novellas set in the world of Vampire: The Masquerade. For those of you unfamiliar with Vampire: The Masquerade, it's a gothic tabletop RPG that rose to popularity in the 1990s.  Set in the "World of Darkness", players play vampires, complete with the struggle to maintain some humanity as well as navigating treacherous political machinations of both vampire and human alike. True to the vampires of that world, these stories are dark and broody. The vampires within these tales have diverse backgrounds and ideologies. 

"A Sheep Among Wolves" is the first foray into the world of White Wolf. This story by Genevieve Gornichec was the weakest of the bunch for me. In it, a college student dealing with depression and loneliness finds herself realizing a whole other world has been right in front of her. I struggled with this story the most. The pacing was incredibly slow and I really had to push myself to get through it. The main character felt very insipid and reserved. Any supporting characters went the reverse direction and were absurdly stereotypical. While I certainly appreciated the overall mental health theme, this one just felt like something I'd read before. 

The second story, Cassandra Khaw's "Fine Print", certainly elevates the collection. Bringing a modern-day touch, the main character here is someone that you love to see get what he deserves. Khaw brings this detestable character to life in hi-def and lets us take a seat to watch his undoing. Arrogant and overbearing, this rather tedious specimen of manhood thinks that he's getting the better deal when in all actuality he's getting played by vampires way older and smarter than he is. This one truly shows that vampires are inexhaustible masters of manipulative and cunning. 

"The Land of Milk and Honey" by Caitlin Starling brings up the rear in this collection. This unique story combines ethics and vampirism with this setting of sustenance and sustainable farming. Out of all the stories, I enjoyed this one the most. The strange quandary of needing blood to survive but to do so without killing is one that has been touched on before in vampire fiction but never quite in this way. It brings up some interesting parallels to our own struggles. This story has a bit of everything, some romance, a little treachery, and a lot of manipulation. 

For a collection that only holds three stories, it took a while to get through this one. I enjoyed the variety of themes presented by each story. Vampire fiction has been around for a long time so getting something that feels fresh is a unique experience in itself. 

Publication date: May 21st, 2021 Publisher: Eerie River Publishing Links:  Amazon  |  Goodreads P repare to die. The sea awakens. Within the...


Publication date: May 21st, 2021
Publisher: Eerie River Publishing


Prepare to die. The sea awakens.

Within the Mariana Trench, a research vessel’s crew is threatened by a mysterious force. A father and daughter’s holiday by the ocean turns deadly as a sinister creature stalks them. A group of friends learn that some things should remain in the ocean. Filled with a sense of wonder, a young biologist discovers a new species of kelp, but with disastrous consequences.

It Calls From the Sea is an all-original anthology of twenty brutal tales of horror from the deep blue sea.

Eerie River brings you another round of insatiable horror. There is no end to the terrors we have in store and there is nowhere left to hide. Get comfy, this is going to be a wild ride.

Featuring Stories:
Chris Bannor “Euphoria”
Chris Hewitt “Reef Encounter” 
Christopher Bond “The Ocean Sings Softly”
Dan Le Fever “Xook”
David Green “Into The Depths”
Georgia Cook “Dead Ships”
Holley Cornetto “Heaven’s Lake”
Julie Sevens “Shoney’s Revenge”
Lin Darrow “Cry of the Hunger Fish”, M.B.Vujacic “Jelly”
Mason Gallaway, “The Sea Reaches Up”
McKenzie Richardson “The Hunter and the Prey”
R. L. Meza “Long Pork”
S.O. Green “The Shadow Over Innsmouth High”
Steve Neal “Hostile Territory”
T. M. Brown “Buoy 21415”
Tim Mendees “Fronds”
Trey Dowell “Abyssal Horror”
Watt Morgan “Please Leave”





Dead Ships by Georgia Cook

It washed up at dawn, drawn in on the morning tide from around the curve of the bay; a fishing boat, small enough for a cabin and a crew of three, but of no make or name we recognized. It curved gently towards the beach, its path haphazard and aimless, engines silent and windows dark. By the time it hit the shingle and plowed to a juddering halt a small crowd of us had gathered on the dockside to watch. 
There’s something about an empty boat--something dragged in off the tide like that, all slow and sedate--you get to feeling it after a certain time at sea, like a second sense. That’s why none of the old fishermen made a move when it finally came to rest; they already knew what we’d find. 
Perhaps it started with the snow.
Great, driving fistfuls were we got that month; merciless, relentless, day after day. A frigid wind howled it down off the clifftops, swamping the roads and transforming the surrounding hills into impenetrable, white monoliths. Nobody arrived in town, nobody left; that’s how things go around here come winter.
There’s a saying in these parts that it takes a special kind of madness to move here from out of town, and another kind to stay. The seas and the cold breed a particular type of person--it settles in the bones, then squeezes the lungs; sharp and cloying in every breath. This far north the cold is bitter. Or perhaps it started before that, and none of us noticed. 
Some of us tried to sail that week, but only made it as far as the curve of the bay before we were forced to turn back. Battered by the gale and the driving snow, there was no thought of casting our nets. Cutting through the snow was like cutting through ice; nothing in either direction but tumbling flakes and shifting, black sea. 
We watched the snow fall, watched it settle on the water and sink, and out of it all we watched the boat arrive. 
Philip Abernathy was the first to climb abroad, shimmying up the side like a boy climbing a drainpipe. Twenty-three that May--newly promoted, the youngest Constable in a town of sturdy fishermen and grey-faced old men--possibly he felt it his duty to take charge, or at very least be the first to check. He was, after all, vastly on his own up here until the snows cleared and the mountain roads became accessible again.  
He’d been our Constable for all of two months, and up until then had contended with nothing worse than the odd Drunk and Disorderly on a Saturday night. It was too cold, too dark, to expect any trouble worth hurrying for.  
He disappeared inside the captain’s cabin, calling nervously, then stumbled out a moment later and was violently sick over the side.  
The old fishermen knew, and now we knew too: no ship so silent has ever been manned by the living.
Once he’d been helped down, pale and trembling, Abernathy directed a few of us up to find the body. It was slumped across the wheel, he said, tilting back and forth with the rock of the ship, its boots dragging in a slow, steady rut across the floorboards. It might have been a man once, but that was an estimated guess. It no longer had a face, just a slumped, desiccated skeleton. 
Its hands, Philip whispered, its hands were clasped so tightly to the wheel. So tightly he couldn’t pry them open.
We found the rest of the crew below deck.
There’s a reason so many fishing communities boast smokeries and salt houses; salted things keep. Salted things keep for a long time, and add to that the conditions of an arctic winter...

 
It Calls From the Sea is a new anthology by Eerie River Publishing containing "brutal tales of horror from the deep blue sea". I was excited for this collection, having a personal fear of the oceans—due to my cousin getting wrapped up in a Portuguese Man-O-War when I was very little. That, and let's be honest, growing up in the "Jaws" generation. There's something about not knowing what's in the deep waters underneath your feet that can send shivers up your spine. Or even worse, knowing what actually is! What better to read than a themed collection about one of the things that truly terrifies me. 

Containing twenty tales from twenty different authors, this collection of watery horrors has a little something for everyone. There's killer kelp, menacing mermaids, elder gods, family curses, and all things in between. Honestly I'm amazed at the variety of the stories while still keeping with the aquatic theme. Mythology from multiple pantheons, body horror, tales of revenge, and maritime monstrosities all find their way across these pages. These tales are claustrophobic, tense, and oh, so wonderful. 

Some standouts in the collection:

"The Ocean Sings Softly" by Christopher Bond - I loved this tale of a grandmother and her horrifying past. A past that is reaching out with cold dead hands to drag her granddaughter down with it. 
 
"Please Leave" by Watt Morgan - The sea gave something back this time, something that should have never drug itself out of the waters of the bay. This one creeps up little by little and had some pretty horrifying imagery that was very effective. 

“The Hunter and the Prey” by McKenzie Richardson - When a story starts with " You'd look even prettier if you smiled", I can't wait to see where it leads. The twist at the end of this one was simply marvelous. 

"Cry of the Hunger Fish" by Lin Darrow - Talk about a claustrophobic tale. This definitely gave me Edgar Allen Poe's "The Tell-Tale Heart" vibes as the narrator's experience becomes more and more surreal.

"Euphoria" by Chris Banner - I adore stories about Kelpies, those water horses in Scottish folklore that drown their victims. While the author didn't reinvent the wheel, this was the perfect horror version of one of my favorite creatures. 

Eerie River Publishing has also put out collections It Calls From the Forest (Vol 1 and Vol. 2) and It Calls From the Sky. Considering this strong collection of works, I will definitely be adding those others to my TBR.


ItCallsFromTheSea(nonames)


Book Tour Schedule

June 7th

Reads & Reels (Spotlight) http://readsandreels.com

The Consulting Writer (Review) https://theconsultingwriter.wordpress.com/

@jypsylynn (Review) https://www.instagram.com/jypsylynn/

Jessica Belmont (Review) https://jessicabelmont.wordpress.com/

June 8th

Books, Rambling & Tea (Spotlight) https://booksramblingsandtea.com/

Lunarian Press (Spotlight) https://www.lunarianpress.com/

Jennifer Mitchell, Bibliolater (Review) https://jennifermitchellbooks.com/

Banshee Irish Horror Blog (Review) http://bansheeirishhorrorblog.com/

Rambling Mads (Review) http://ramblingmads.com

June 9th

The Invisible Moth (Review) https://daleydowning.wordpress.com

Stine Writing (Review) https://christinebialczak.com/

Phantom of the Library (Review) https://phantomofthelibrary.com/

Catz Luv Coffee (Review) https://catsluvcoffeez.blogspot.com

June 10th

Breakeven Books (Spotlight) https://breakevenbooks.com

@tiny.bibliophile (Review) https://www.instagram.com/tiny.bibliophile/< /a>

Musings of a Final Girl (Review) https://musingsofafinalgirl.wordpress.com/

@dreaminginpages (Review) https://www.instagram.com/dreaminginpag es/

June 11th

Sophril Reads (Spotlight) http://sophrilreads.wordpress.com

@happily_undignified (Review) https://www.instagram.com/happily_und ignified/

@amysbooknook8 (Review) https://www.instagram.com/amysbooknook 8/

I Smell Sheep (Review) http://www.ismellsheep.com/

Liliyana Shadowlyn (Review) https://lshadowlynauthor.com/

On the Shelf Reviews (Review) https://ontheshelfreviews.wordpress.com



Book Tour Organized By:  

I have never been happier to see a year end. 2020 was just TOUGH, ya'll. Life in the pandemic hasn't been fun. It definitely threw a...


I have never been happier to see a year end. 2020 was just TOUGH, ya'll. Life in the pandemic hasn't been fun. It definitely threw a lot of challenges my way and I know I'm not alone in that. I'm hoping 2021 is a gentler year for everyone. One great thing about being a reader is being able to escape into a new book but I'll tell you—even that has been a challenge this year! I did NOT complete my Goodreads challenge goal of 130 this year though my final total of 124 was close. Last year I completed 131 so at least it wasn't a huge change. *shrugs* I still read 24,500 pages and there were some incredible books along the way.

Today's Author Spotlight is horror author Loren Rhoads! Read on for the full interview.


Today's Author Spotlight is horror author Loren Rhoads!

Read on for the full interview.