Published February 7, 2023 by Tor Nightfire

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he’s desperate for money–it’s not easy to find safe work when you can’t provide references, you can’t stay in one place for long, and you’re paranoid that your past is creeping back up on you.

When he comes across the strange ad for the Masson House in Degener, Texas, Eric thinks they may have finally caught a lucky break. The Masson property, notorious for being one of the most haunted places in Texas, needs a caretaker of sorts. The owner is looking for proof of paranormal activity. All they need to do is stay in the house and keep a detailed record of everything that happens there. Provided the house’s horrors don’t drive them all mad, like the caretakers before them.

The job calls to Eric, not just because there’s a huge payout if they can make it through, but because he wants to explore the secrets of the spite house. If it is indeed haunted, maybe it’ll help him understand the uncanny power that clings to his family, driving them from town to town, making them afraid to stop running. A terrifying Gothic thriller about grief and death and the depths of a father’s love, Johnny Compton’s The Spite House is a stunning debut by a horror master in the making.

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Eric and his two daughters, eighteen-year-old Dess, and seven-year-old Stacy are on the run.  His youngest daughter has been counseled to run and to hide if he says so. What trouble could they possibly be in? Has he stolen away his kids without custody? Was it an unsafe home life? One thing is for sure, he is a father looking for a safe spot for them to land after the transient life they've been forced to endure. After seeing an opening for a position at Masson House in Degener, Texas advertising a tidy sum of money, Eric packs up his girls and drives to apply. The rules given to Eric by the very wealthy Eunice are simple; live in the house and report anything that happens. What trouble the trio is in is left as a mystery until close to the end. 

Spite houses, if you are unfamiliar with the term, are houses that are built in the way of something else, like a neighbor's view, or as part of a land disagreement. (My personal favorite is The Equality House in Topeka, Kansas built across the street from Westboro Baptist Church and painted in the pride flag colors.) The Masson House is weird, both in architecture and history and I applaud Compton for choosing such an unusual setting, diverting the typically dark and stormy haunted house tropes. 

While I loved that it held its secrets tight until almost the very end, I wanted more from The Spite House. I enjoyed the characters and the mystery of both their past and that of the spite house, but it felt like it was forgetting something. For a house billed as one of the most haunted in the state, there wasn't the gothic atmospheric dread and buildup that I expected. The characters themselves were excellent and I was invested in their story but the jumping timelines didn't do any favors to my drifting attention span. It often felt like an info dump with more tell than show. While the origin story of the house was crucial to the ending, the deviation from the characters I was already invested in stalled the read for me at times. When a book leaves so many questions unanswered in the beginning, I expected an ending showering all the information out in a downpour. However, there were still a lot of questions that didn't feel answered after the last page. 

I did experience this one via audiobook and must say Adam Lazarre-White was the perfect narrator for the job. Johnny Compton's writing could drift a bit on the tedious side with the multiple viewpoints and numerous timelines. The narration brought vibrancy to the characters that might not have been there otherwise. 

 

Published July 12, 2022 by Tor Nightfire

What Moves the Dead is Kingfisher's retelling of Edgar Allan Poe's classic "The Fall of the House of Usher.”

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.

What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves.

Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

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T. Kingfisher could write an encyclopedia that I'd want to read, so when I saw that What Moves The Dead was a revamping of Edgar Allan Poe's "The Fall of the House of Usher", I was giddy with excitement. Yes, giddy. I said what I said. Instead of a regurgitated version, Kingfisher has added her own reconception to Poe's short story and it's a doozy.

As with Poe, Kingfisher begins her tale with a first-person narrative. However, unlike Poe and his exceptionally vague male protagonist, Lieutenant Alex Easton is a genderqueer retired soldier friend of the female Usher—a deviation from Poe's who is a friend of the male sibling. Kingfisher has also made the addition of a female mycologist, an American doctor, as well as various townspeople, to complete the cast. Though I have to admit Angus, the Scottish personal assistant of Lt. Easton, was a personal favorite. 

Kingfisher always crafts her stories with creeping dread and from the beginning pages, she molds (pun not intended but in this case, highly appropriate) this inspired tale with care. The Usher property is blooming with nasty, foul-smelling mushrooms, the manor house is crumbling and filled with mildew and decay,  and the Ushers themselves are pallid skeletal things. None of that is anything new.  Oh, but the hares. If nothing else will give you the heebie-jeebies in this story, the hares will. You know that feeling you get while watching horror movies, where a person skitters around on all fours or jerkily ambulates—familiar but thoroughly alien? Kingfisher must dream of that feeling because she excels at writing the wrongness of things. 

It's like Kingfisher took a look at Poe's narrative and decided to complete all of the gaps, mapping out the dark corners and watery lake depths. She scaffolded onto the original with a light touch, melding some gratifying humor and wit with the expected gothic conventions. However, if you were a fan of Silvia Moreno-Garcia's Mexican Gothic and Jeff Vandermeer’s Annihilation, you'll be over the moon to know that this is also a fungal horror. Undeniably, Kingfisher gives us the answers to the questions that plagued us after finishing the original.  Poe's version left the reader with so many interpretations and very little solid evidence. Kingfisher doesn't wait for the House of Usher to break atwain; She lights it on fire and watches it burn. 

Published September 27, 2022 by Tordotcom

In an isolated chateau, as far north as north goes, the baron’s doctor has died. The doctor’s replacement has a mystery to solve: discovering how the Institute lost track of one of its many bodies.

For hundreds of years the Interprovincial Medical Institute has grown by taking root in young minds and shaping them into doctors, replacing every human practitioner of medicine. The Institute is here to help humanity, to cure and to cut, to cradle and protect the species from the apocalyptic horrors their ancestors unleashed.

In the frozen north, the Institute's body will discover a competitor for its rung at the top of the evolutionary ladder. A parasite is spreading through the baron's castle, already a dark pit of secrets, lies, violence, and fear. The two will make war on the battlefield of the body. Whichever wins, humanity will lose again.

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Leech is a baffling gothic body-horror-filled affair and one in which, I was not totally sold...at first. Intrigued? You should be. It's most likely the most inscrutable read of my entire year (2022 that is). I started Leech initially thinking I was getting a drafty cold chateau set in a bleak snowy landscape with a parasite on the loose—and it delivered that but also much more. So much, in fact, that I initially gave up on it completely at a loss of what was occurring and resigned it to the DNF pile, but when I saw the audiobook, I decided to give it another shot. The narration was exactly what I needed to wade through the details and pique my interest again. 

When we first meet the doctor, they are arriving by train through a wintry desolate landscape to the frozen grounds of the Château de Verdira. It's the perfect gothic setting. The doctor has come after the death of the previous doctor to uncover exactly what caused the death. From there it only gets stranger. The doctor is part of the "The Institute" and has only just arrived, but seems to know all the inhabitants of the Château already. How is this? Well, that's part of Leech's charm. 

This book is dense. The language is stilted and the narrative constantly jumps; past, future, person to person, sometimes it's many voices at once in a strange mind share. The pacing is constantly speeding up and then slowing down. The setting seems primitive and yet the baron is kept alive by an innumerable amount of machinery, tubing, levers, and dials. There are talks of vestigial tails and a vendigeaux side by side with plastiophages and old nuclear plants. You get some answers, and more questions until it culminates in a fantastical ending. The trick of Leech is reading without the expectation to comprehend. It truly is dropping you in the middle of a myriad of things and tromping along until it makes sense in a very ah-ha manner. 

It's a curious beast of medical horror, sci-fi, and old-school gothic. It's body horror all wrapped up in existential dread and dubious bodily autonomy. It's vivid, disgusting things of mucous and fluids, of black tendrils and blood. It's a difficult read, but one where you get to the end, sit back and ruminate before deciding whether or not you truly enjoyed the read.  

 Published June 5th 2022 by Birchwood Press

All Charlotte Deerborn wanted was a nice Thanksgiving dinner with family and friends. Too bad for her no one else wanted to be there. By the time the turkey is carved, old grievances, bad behavior, and crass remarks have transformed her dinner party into a disaster. And then a werewolf shows up to do some carving of its own.

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Wolf at the Door has all the delightful family drama of the Thanksgiving table in a nutshell. Disapproving inlaws, a divorce on the horizon, jealousy, envy, oh it has all of it. That's certainly enough for one day but then it gets hairy. Like really hairy. No one invited the werewolf for turkey and gravy but he's there huffing and puffing and blowing the little house down. Okay, enough puns. I love werewolf stories. As far as tropes go, it's at least in my top ten. A werewolf ripping and tearing its way through the entire Days of Our Lives dysfunction should have been a blast but the novella didn't deliver on some aspects for me. 

This is not a book where you pick that one character to enthusiastically want to see them escape the clutches of evil. I didn't like any of the characters. Head ripped off? Cool. Survived the night? Whatever. I didn't have any strong feelings for or against any of them meeting their ghastly end at the hands, er...paws of the wolf. That also means there is no underdog to root for to make it out alive. Now obviously that's on purpose as all the characters are constructed with all their faults at the forefront. Liking a character doesn't automatically equate to a great read. However, I expected to be more invested in the characters and it didn't happen.

Still, there's an abundance of innards becoming out-ards and all kinds of squelchy goodness.  If you want a quick read where the walls run red, McKay certainly delivers the splatter. I'd say that people who don't typically read horror would have fun with this novella but most seasoned horror readers are going to want more developed characters and a more nuanced plot. 

Published October 4, 2022 by Berkley Books

A young woman in need of a transformation finds herself in touch with the animal inside in this gripping, incisive novel from the author of Cackle and The Return.

Rory Morris isn't thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby's father, and needs support, so Rory returns to the place she thought she'd put in her rearview. After a night out at a bar where she runs into an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she's attacked.

Rory survives, miraculously, but life begins to look and feel different. She's unnaturally strong, with an aversion to silver--and suddenly the moon has her in its thrall. She's changing into someone else--something else, maybe even a monster. But does that mean she's putting those close to her in danger? Or is embracing the wildness inside of her the key to acceptance?

This darkly comedic love story is a brilliantly layered portrait of trauma, rage, and vulnerability.

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A darkly comedic love story about a girl turned werewolf by Rachel Harrison? Yes, please. I couldn't wait to get to this one. Harrison previously covered zombies in the gruesomely funny The Return and the fellowship of witches in Cackle. One would think that werewolves would be a logical next step.

The first few pages throw the reader right into the fray as Rory leaves a bar on a misty night and hits an animal on the dark road. We all know from the cover that this is going to be a werewolf story so no one is really surprised (except for Rory) when it's divulged that what she hit was a freakin' werewolf. It attacks, leaving Rory bleeding in the woods, but somehow still alive the next day. Rory knows that people will think she's totally nuts if she runs screaming about being attacked by a werewolf so she creates a story about a bear attack. 

 As Rory manages all the physical and emotional changes along the way, there's plenty of sarcastic banter with others and inside Rory's head. She's a completely chaotic mess but she's going through a lot right now, okay? Becoming a werewolf is tough! Rory approaches all the crazy changes with a can-do attitude. She's leaking silver blood, she's stronger, has a craving for all things meat, and her hair is looking Ah-mazing. Sure, she's thinking WTF the whole time but she's learning how to vibe. 

The dynamic between main characters is always at the forefront of Harrison's books and Such Sharp Teeth is no different. Rory and her twin sister Scarlett have a close relationship; close enough that Rory drops everything to head back to her hometown when Scarlett calls saying she needs her. Rory loves the freedom of her life in the city but willingly stepped away from it all temporarily to give support to her pregnant sister.  

It might sound very strange to call a werewolf book endearing, but that's somehow just what Harrison manages to evoke. The addition of romance might put a lot of people off as horror and romance aren't often themes merged but I enjoyed it. I appreciated that it wasn't love at first sight and it wasn't easy. Rory's complicated internal conflicts kept her from being completely honest with herself. 

Before you think it's a Hallmark movie, Harrison manages to tackle some tough subjects. (TW) Rory is dealing with the trauma of a sexual assault as a child and she still harbors resentment towards her mother, leading to a tumultuous relationship. Bodily autonomy is also wrapped up in the narrative as both Rory and her sister navigate their changing bodies—Rory's lycanthropy and Scarlett's pregnancy changes. 

While it's more little horror light or cozy horror, Such Sharp Teeth is fast-paced and hilarious, while still being beyond adorable. It's very female forward and about loving who you are. Comedy and horror is one of my favorite combinations and Harrison does it right.

Published March 29th 2022 by Flame Tree Press

Investigator Oscar Basaran travels to Kidney Island off the coast of Maine to document the negative effects of shadow flicker from wind turbines on residents living near the windmills, but is unprepared for what he encounters from the islanders.

Oscar’s research shows that sleep deprivation, light deficiency and ringing headaches brought on by the noise and constant strobe-like effect of the sun filtered through the spinning blades of the turbines brings on hallucinatory episodes for the closest neighbors to the machines.

Melody Larson’s elderly father nearly chokes to death after stuffing dandelion heads into his mouth. The Granberrys' pregnant cow repeatedly runs headlong into a fence post. Tatum Gallagher mourns her young son who vanished more than a year ago, presumed swept out to sea by a wave while fishing on the rocky shore, but several people claim to see him appear only in the glimmer of the shadow flicker.

Aerosource, the energy corporation that owns the turbines, hired Oscar to investigate the neighbors’ claims, but the insurance agent shows no allegiance to the conglomerate, especially after learning a previous employee sent to the island a year before has disappeared without a trace.

When Oscar meets former island school science teacher Norris Squires, fired for teaching his students about the harmful effects of shadow flicker, he learns a theory regarding Aerosource that sounds too preposterous to believe.

While it seems the shadow flicker effect has driven some of the island’s animals crazy, is it possible it’s caused an even worse mental breakdown among the human inhabitants? Or is something more nefarious at work on the island?

As Oscar’s investigation deepens, he discovers the turbines create an unexpected phenomena kept secret by a select group of people on Kidney Island who have made a scientific breakthrough and attempt to harness its dark power.

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If you aren't familiar with shadow flicker, imagine a fan blade spinning with a bright light behind it. Now imagine that fan is up to 500 feet tall and it's between the windows of your house and the evening sun. That constant whir and light-dark-light pattern would be enough to drive anyone insane. 

Fictionally based on the true-life phenomenon of shadow flicker, the story follows investigator Oscar as he travels to Kidney Island on behalf of the Aerospace company to see if there really are ill effects on the residents from the turbines. After highly enjoying the author's winter-based novel, Snowball, I was thrilled to pick up Shadow Flicker. 

Horror frequently targets the small town and Kidney Island is no different. There are a ton of strange happenings on the island as both people and animals act erratically. At first, the symptoms of the shadow flicker fall into the expected territory—inability to sleep due to the hum, headaches from the flashing light, animals disturbed by the turbines. Then the true oddness is discovered. A child thought to have drowned in the water is seen again, but only in the flicker. Time actually stops for one of the island's residents. Oscar is treated like the outsider he is and slowly sinks into the oddness and delirium affecting the area and its inhabitants. 

As with Snowball, this takes about another bizarre turn with its slow burn. More and more of the characters' backgrounds start to creep to the surface. Where you think the novel will lead, is not where it takes you. I didn't dislike the ending but it definitely took it in a direction that I was not expecting. 

Published February 8th 2022 by Tor Nightfire 

(first published May 7th 2019)

NATURE IS CALLING—but they shouldn't have answered.

Travel journalist and mountaineer Nick Grevers awakes from a coma to find that his climbing buddy, Augustin, is missing and presumed dead. Nick’s own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia—but he remembers everything.

He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps.

He remembers how the slopes of Maudit were eerily quiet, and how, when they entered its valley, they got the ominous sense that they were not alone.

He remembers: something was waiting for them...

But it isn’t just the memory of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him…

It’s one thing to lose your life. It’s another to lose your soul.

FROM THE INTERNATIONAL BESTSELLING SENSATION THOMAS OLDE HEUVELT comes a thrilling descent into madness and obsession as one man confronts nature—and something even more ancient and evil answers back. 

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Nick Greeves wakes in the hospital bandaged and with no memory of what occurred to his climbing partner, Augustin on the Maudit in the Swiss Alps. Broken both physically and mentally, Nick's Adonis face is now craggy and sharp. Nick's boyfriend, Sam, is also trying to come to grips with knowing that Nick will never be the same in spite of surgeries to fix the defect. He's attempting to be grateful that Nick is still alive, but it's challenging with Nick's continued silence about what happened on that mountain. With Nick's face wrapped like a mummy from a tomb, Sam is desperately trying to get Nick to let his guards down.

Our story doesn't start that way though. It starts with a terrifying encounter with Sam's sister, Julia, as she wakes in the middle of the night seeing shadow people standing at the bottom of the stairs. Every time she takes her eyes off them, even to blink, they get closer...and closer. Whoo. Easily one of the most terrifying intros I've read.

There's no denying that Echo is dark and unsettling. The first chapter only solidifies that fact with its shades on the stairs waking nightmare. It can't possibly continue that momentum so what Thomas Olde Heuvelt presents instead is a character-driven narrative. He gets us completely invested in Sam and Nick's strained relationship as we attempt to empathize with both sides. It's difficult at first to like Nick as a character. He's reserved and withdrawn, even from Sam who despondently loves him. Echo toys with our emotions in the relationship between the two. It's romantic and heartbreaking and we can only watch as it plays out.

Told in bits and pieces from diary passages, manuscripts, and notes, we eventually get the story of what happened on the mountain and thus to Augustin. Echo is a lengthy novel with an excess of technical climbing information. While that lends credence to the story, I think it could have benefited from a good editing chop. The pacing also falters at times. We get that great opening, some creepy moments, and then not a whole lot of anything in the middle. The ending, however, sees it all crashing down around us.

Having been less than impressed with the follow-through of Hex, I was reluctant to pick up Echo but I don't regret it. It's not an in-your-face fright but a steady, steep (if you'll excuse the pun) climb to the peak. A complex building of pressure with imagery both brutal and beautiful.  There's a fantastic tie-in of folklore and small village superstition, especially with the birds. I don't want to give anything away as this is one that needs experiencing but sometimes the abyss stares back.

Published March 22nd, 2022 by Titan Books

Jack Corman is failing at life. Jobless, jaded, and facing the threat of eviction, he’s also reeling from the death of his father, one-time film director Bob Corman. Back in the eighties, Bob poured his heart and soul into the creation of his 1986 puppet fantasy The Shadow Glass, but the film flopped on release and Bob was never the same again.

In the wake of Bob’s death, Jack returns to his decaying childhood home, where he is confronted with the impossible — the puppet heroes from The Shadow Glass are alive, and they need his help. Tipped into a desperate quest to save the world from the more nefarious of his father’s creations, Jack teams up with an excitable fanboy and a spiky studio exec to navigate the labyrinth of his father’s legacy and ignite a Shadow Glass resurgence that could, finally, do Bob proud.

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Eighties babies, do you remember the magic of your childhood watching Atreyu set off on his journey to save the Empress or Jen and Kira on the quest to retrieve the crystal? What about Sarah's trek to the center of the labyrinth or Jack traveling to Darkness' castle to release the unicorn? All of those movies that we watched a million times over wishing that magic was real and that we, too, had an epic fantasy quest that we were destined for. Listen to me when I tell you, this book will bring all those feelings back for you in your monotonous, suburban 8-5 life. Maybe that's a bit harsh but can it compare to a grand adventure? The Shadow Glass is just that; a grand adventure where fiction meets fact.

In 1986, Bob Corman constructed a world of warring tribes of creatures in Iri and brought them to life on film. While the film didn't do so well upon release, it became a sensation years later as all the kids who grew up watching it, well, grew up idolizing the film. We're talking Comic cons and cosplaying the characters that ingrained themselves upon young hearts and minds. Poor Bob never got to see it play out though and instead spent his life drinking his bitterness away. Towards the end, Bob became seemingly confused, frequently stating that the characters and worlds were real—the apparent ramblings of a senile mind for all to see. He was so enamored of this other world that his own son Jack spent his life feeling unloved and forgotten, becoming quite bitter himself.

Now before you go feeling too sorry for Jack, the only reason he's even in this story is that he's returned to his father's home after his death. He's not there to close the estate or reminisce about his father. He's there hoping to retrieve one of his father's treasured puppets to sell to pay off his own debts. Yeah, he's a peach. Only he discovers that his father wasn't so crazy as the world of Iri literally comes to life in the attic of his father's house. Jack is quickly thrown back into the memories of his childhood as he and his newfound nerdy motley crew set out to find all the pieces of the mirror that will put Iri back to right. 

The Shadow Glass was a surprise to me, to be honest. I went into it with no preconceived notions and found myself absolutely unable to set it down. By the end of the first few chapters, I was invested in Iri and its inhabitants and in Jack's tale as well. There is a bit of everything we 80s kids loved about the epic fantasies of our youth—action, adventure, great villains and even greater heroes, high stakes, humor, and even the unexpected emotional tug on your heartstrings. The stories of our youth never shied away from the darkness and neither does The Shadow Glass. Josh Winning weaves all the enchantment with hard topics such as Bob's alcoholism and Jack's feelings of abandonment. There is absolutely no doubt that he knows his fantasy tropes and employs them liberally. Instead of these tired tropes feeling unoriginal, he manages to spin them into something familiar yet new, rocking us 80s babies in the cradle of the stories that we cut our teeth on. 

Published June 7, 2022 by Black Spot Books

The skeletons in the closet have nothing on the one in your backyard.

Freshly divorced and grieving the death of her father, Josie Lauer has caged herself inside her home. To cope with her losses, Josie follows a strict daily routine of work, playing with her dog, Po, and trying to remember to eat a decent meal—and ending each night by drinking copious amounts of vodka. In other words, she is not coping at all.

Everything changes when Josie wakes to find a small shrub has sprouted in her otherwise dirt backyard the morning after yet another bender. Within hours, the vine-like plant is running amok—and it’s brought company. The appearance of the unwieldy growth has also heralded the arrival of a busybody new neighbor who insists on thrusting herself into Josie’s life. The neighbor Josie can deal with. The talking skeleton called Skelly that has perched itself in Josie’s backyard on a throne made of vines, however, is an entirely different matter.

As the strangely sentient plant continues to grow and twist its tendrils inside Josie’s suddenly complicated life, Josie begins to realize her new neighbor knows a lot more about the vines and her bizarre new visitor than she initially lets on. There’s a reason Skelly has chosen to appear in Josie’s suddenly-blooming backyard and insists on pulling her out of her carefully kept self-isolation. All Josie has to do is figure out what that reason is—and she has only a few days to do it, or else she might find herself on the wrong side of catastrophe.

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Tiffany Mueret came onto my radar thanks to A Flood of Posies, a very strange but disorienting novel about two sisters, a flooded world, and the creatures that lie beneath the waters. It was definitely an experience but while mesmeric, it's one of those that you aren't sure if it's happening in the characters head or if it's really happening.. I felt that exact same way while reading Little Bird. 

To start with, Mueret undoubtedly writes substantial characters. As with A Flood of Posies, her main character is a complicated woman with complex emotions.  In this case, Josie Lauer is grieving after the death of her father and the end of her marriage. She sequesters herself inside her house with only her dog, Po, for company and seeks to drown herself each night in copious amounts of vodka so she doesn't have to face her grief. She's crotchety and unsociable, with her only interactions being by email for the company she runs, which ironically is teaching companies how to communicate effectively to solve problems with their clients. Being in customer service myself, I can certainly understand the duality of being "on" professionally and hating people in private. That sounds horrid but anyone front-facing in their jobs understands, so I completely get Josie.  

One day, what Josie thinks is a weed pops up in her backyard. Shortly thereafter, a new neighbor appears; a very assertive and cheerfully demanding neighbor, who doesn't get that Josie just wants to be left alone. Then up shoots Skelly, a philosophical sentient skeleton sitting on throne made of vines in the backyard. Suddenly, Josie is no longer alone and can't shut everyone out. 

While the interactions of Skelly the skeleton and Josie are unquestionably interesting and oftimes humourous, I kept waiting for something additional to happen. The majority of the book is spent with Skelly and Josie in conversation or Josie in her on head. While I had expectations at first, I wouldn't say it is horror. There's an assuredly supernatural aspect to it but I'd still file it somewhere under dark fantasy or magical realism than horror. There's nothing inherently scary about it—even the skeleton is described as a Halloween decoration or toy. It's about grief, tough emotions, and having to  and sometimes those can be scary enough.

Published June 1, 2021 by Waldron Lake Books

Magic may be secret, but it’ll kill you anyway.

Small town mayor’s assistant Elizabeth has enough on her plate grieving her father’s suicide. She doesn’t need his stash of magical knowledge in the attic. She doesn’t need the hidden supernatural subculture of monsters it pulls her into. And she certainly doesn’t need hints that her father’s madness might have been a smokescreen for something far darker.

But uncovering her father’s secrets could be the only way Elizabeth can stop a string of suspicious suicides… if the local wizard doesn’t rip the memories out of her mind, first.

Wizards, right?

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Ordinary humans stumbling into the magical world isn't anything new, though usually those humans are far from ordinary as they typically have yet unfulfilled magical powers. Not so in A Grimoire for Gamblers. Our protagonist is truly human and has only stumbled into the magical world after the death of her father many years after admitting himself into a psychiatric ward. 

I appreciated that Elizabeth doesn't have any powers. She's been thrown into this world and she doesn't mysteriously pick everything up through mitosis. As with most urban fantasy MCs, she's a little bit snarky and we spend a lot of time in her head listening to her as she tries to figure this all out. She doesn't immediately merge with this new world and spends a lot of the time wondering if her father's supposed insanity isn't genetic. At this point though, why not try a spell to see and she does, with the help of computers, scanners, and even a Cricut. Annnd promptly sets herself on fire. Okay, so she's muddling through the best she can but she's smart and she'll figure it out. 

True to the rules of urban fantasy, the world-building is enmeshed in the "real" world as we humans know it. Oh sure, there are some interesting locales such as the casino where humans are gambling with their souls and a fighting arena where supernatural creatures are pitted against each other. At the same time, the vast majority of this book takes place right here, in the city Elizabeth knows. 

There were a few holes in the plot I think, or at least in the plot devices. While the toy voodoo train set up in the attic was neat, I didn't really understand what it had to do with everything. Why would her dad have a train linked to the real-world train? And some of the characters weren't really explained. Gravelings? Vampiric Spirits? Also, from the first pages, Elizabeth mentions her boyfriend and thinks about him throughout the novel. He's not even really in the book other than her thoughts, so what was the point of having her in a relationship? 

All in all, though, this was a pretty solid urban fantasy. It managed to be very unique in a lot of ways, including the technology-boosted magic. Work smarter, not harder, right? There were obviously some things that didn't work as well for me, but as this is the first in the series, I'm not going to judge it too harshly. It's hard to do urban fantasy that hasn't been done before and this is a solid foundation for the series to continue.

Publication date: March 31st, 2022

Links: Amazon | Goodreads

Turn the lights on. Lock the door. Things are about to get SERIOUSLY SCARY!

The brand new must-read middle-grade novel from the author of super-spooky Crater Lake. Perfect for 9+ fans of R.L.Stine’s Goosebumps

It's basically the worst school detention ever. When classmates (but not mate-mates) Hallie, Angelo, Gustav and Naira are forced to come to school on a SATURDAY, they think things can’t get much worse. But they’re wrong. Things are about to get seriously scary.

What has dragged their teacher underground? Why do the creepy caretakers keeping humming the tune to Itsy Bitsy Spider? And what horrors lurk in the shadows, getting stronger and meaner every minute…? Cut off from help and in danger each time they touch the ground, the gang’s only hope is to work together. But it’s no coincidence that they're all there on detention. Someone has been watching and plotting and is out for revenge…

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Dread Wood follows Angelo and classmates Hallie, Gustav, and Naria as they head to detention on a Saturday. They are only told to wear PE clothes and shoes for "outdoor activities" so they are figuring they'll be stuck doing chores around the place. Gustav is described as "walking chaos", Naria being the "uptight, overachiever", and Hallie as "vegetarian, an LGBTQ+ ally, and welcomer of refugees." None of them are friends but they are all stuck in this together. 

It doesn't take any time for the tension to really get ratcheted up. Mr. Canton is in charge of this Back On Track session as it's called but he quickly goes missing while looking for the groundskeeper. They find Mr. C again, but something sucks him straight into the ground and he's gone, clawing and scraping at the grass that is sucking him under.  From there it's a mad dash of twists and turns, as these four play a terrifying game of survival.

I appreciated that there was more to the characters than at first anticipated. They are so much more than their first takes and as they find a way to work together, all these unexpected qualities shine through. As it turns out, they all have personal struggles and it actually bonds them together as they learn more about each other. There are some pretty serious issues that they are grappling with: bullying, poverty, disability, and living up to parental pressures. It's all handled with grace and a lot of quippy humor.

Don't think just because it's middle-grade that it doesn't have its share of chills and thrills! Arachnophobes may want to bypass this one. (There are spides on the covers so no spoiler there.)  Dread Wood is a fun, action-filled romp through creepy town! 

 

About the Author

Jennifer Killick is the author of Crater Lake, the Alex Sparrow series, and middle-grade sci-fi adventure Mo, Lottie and the Junkers. She regularly visits schools and festivals, and her books have three times been selected for The Reading Agency's Summer Reading Challenge. She lives in Uxbridge, in a house full of children, animals and Lego. When she isn't busy mothering or step-mothering (which isn't often) she loves to read, write and run, as fast as she can.

Twitter: @JenniferKillick

Publication date: May 24, 2022

Goodreads

SOME EVIL WANTS TO LIVE FOREVER.

Ten years ago a witch sacrificed Britta Orchid’s family and turned her into a werewolf. Selena Stone’s spell failed, and she was never seen again. Until now.

Officer Aaron Labaye has discovered Selena’s remains in the house where Britta’s family died, and dragged Britta back to Louisiana to aid the investigation, hoping her past will break the case. Britta has a hard time resisting the handsome rookie, especially when he shows her a new drawing by her murdered little brother: Britta in her wolf-form.

As an unseen hand sets events in motion, Britta has to help Labaye dig into the murders old and new. The bloodthirsty ghost of her brother, a jealous member from her pack, and a former friend with a serious prejudice against wolves all stand to stop Britta as she fights to finally get the truth about that night ten years ago. But, as she looks harder than ever into her own dark past, Britta will confront more than just her own demons as she fights for peace for herself and for her family. She can’t hide anymore, but must find her place in a world she’s avoided—and discover what it truly means to be a wolf.

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Throw Me to the Wolves is hard to define in the way of genres. From the cover, I expected something more along the lines of contemporary horror. It is, for lack of a better definition, urban fantasy with darker themes. That didn't affect my enjoyment; In fact, since I primarily review horror and urban fantasy, this was the perfect mix! There's murder, ghosts, witches, police investigation, voodoo, and of course, werewolves all rolled up into one satisfying occult thriller burrito.

The story begins with Britta Orchid being questioned in a police interrogation room. You can tell immediately that she's confident and almost a little cocky. She enjoys that she's spooked the cop she calls Officer Shiny Badge and even waves to the people she knows are behind the two-way glass. She wears a "polished, non-threatening persona" like a mask and is very secure in the knowledge that between the two of them, she is the bigger, bad in the room. Why wouldn't she be? After all, she's a werewolf. Ten years ago, a witch slaughtered her entire family, turned Britta into a wolf, and disappeared. Only now, in the same house where it occurred, pieces of the witch have shown up and the police are asking for her help. 

In spite of discovering everything backward from Britta's memories as the story progresses, the story never felt mired down. The past is gradually parceled out in alternating chapters with the present, a style that usually frustrates me. However, Britta's past is just as interesting as she threads memories of her family in with her return to the bloodstained house. Both are equally horrifying with the past containing religious fervor and the supposed exorcism of Britta's ten-year-old brother and the present, the spectral regurgitation of her deceased brother and of course, the murder house.  

Is there romance in this book? That's debatable. There is definitely a touch of the fated mates trope. There is also a werewolf from Britta's pack up north who has decided that he and Britta would be the perfect power couple. Was I stanning either of them? Well, it's complicated but without giving away a major plot point, I can't tell you how. The author does a good job of muddying the waters, making you unsure of who is the good guy. It all comes out in the end, kinda. We're given a prominent cliffhanger ending but if you read a lot of urban fantasy, you frankly should be anticipating that. Given that there's a diminutive Book 1 note by the title, we should expect that there will be a future continuation of the story contrived. 

Publication date: October 21st, 2021

Goodreads

How do you survive hearing your family being brutally murdered over the phone? For Father Raul Figeuroa, all faith and hope are lost. Turning away from the priesthood behind, he retreats to his aunt's empty farmhouse in upstate New York, hoping to drink himself to oblivion. But he's not alone in the house. Something is trying to reach out to him. Or is he losing his grip on reality? When his childhood friend Felix comes to visit, things take a darker turn. The deeper they dig into the mystery, the closer they get to hell literally breaking loose.

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Shea has a knack for producing raw, emotionally driven horror with imperfect, broken characters. His novel Creature broke my heart with its flawed characters and poignant storytelling and Faithless is no different. 

Faithless starts with anxiety-fueled adrenaline as Father Raul Figeuroa drives home one rainy night only to hear his family cry out as they are attacked and killed. He makes it home minutes too late. The police have no leads and the loss sends Raul reeling. He retreats to his late aunt's farm where he spent time growing up, truly hoping to drink himself stupid. And he does. 

After the first few pages, Faithless loses its momentum but I wouldn't expect any novel to hold such a frenetic pace. It's a slow burn as we cycle through the anguish and heartbreak that Raul experiences, even as he tries to drown his sorrows. Shea has created this character that your heart can't help but bleed for as he mourns his family. The loss is so profound that his faith, which has carried him for so long, suddenly can't be maintained. It's a thought that any person grieving might think: Why does God let these things happen? Only Raul's loss has completely ripped away his faith and in turn, his sense of self. It's heartbreaking and raw and Shea leaves us drifting away completely with Raul, unsure of his faith and his sanity. 

Strange things start happening in the house. He hears the voice of his wife coming through the vents and the laughter and footsteps of his children overhead. Is it just the grief or is he truly haunted by the restless spirits of his family? The appearance of his old friend Felix can't even shock Raul out of his stupor, though Felix offers what the police can't—a possible unmasking and potential retribution. Felix at least breaths some life into the story during a long period of drinking, pill-popping, and wallowing. He leaves Raul to go find answers and it's a much-needed break from the stagnation at the farm. 

Then we truly go down the rabbit hole. This ending is so far-fetched I can't even. It's gory and action-packed but it's out there. Ghosts, cults, attack cats. The eschewing of predestination being more powerful than the battle of good vs. evil. I don't know where I expected Faithless to go, but this was not it. I loved the setup but not the follow-through. Oh, and Bruiser. Always have to love the cat. 

Publication date: February 2nd, 2022

 Goodreads

Mavis Corvid can't remember. Not who she is, nor where she came from. It's been six months and nothing. Zip. Zilch. Now she's settling into a new life. She's back on her feet, literally, and working at a garage in Eustace Park for a boss as grumpy as he is handsome. She has an apartment, friends, and an insatiable curiosity about werewolves.

No one knows why the wolves disclosed their existence to the world, but the one-year anniversary of their reveal is fast approaching. A fight brews between two alphas that could threaten the rest of humanity unless Mavis can remember who she was. She knows she's not a werewolf, but she is something else.

When pushed from a balcony Mavis' second nature reveals itself. She shifts into a magpie to save her skin. Now she'll have to harness her strange abilities and investigate her disappearance to find out what happened to the Aldwulf, the alpha of all alphas. However, the past is gone and Mavis isn't the same person. With the opportunity to be whoever she wants, what kind of person will she choose to be? 

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Set in an alternate version world where werewolves not only exist but have revealed themselves to the public, this urban fantasy by Amber Boudreau is a great addition to the genre. The world-building is solid, the characters are relatable, and there is enough mystery here to keep the pages turning. (Who was Mavis before? What happened to the Alpha?)

After waking up six months ago without a clue, Mavis Corvid still can't remember who she is. She's gone on to choose a new name and quickly rebuilt a life for herself. She is a strong character who didn't spend time feeling sorry for herself when she couldn't remember the particulars of her former life. She just picked herself up and went on with some assistance from those around her. I thought it was unique that she wasn't stressed out that she couldn't remember and that she got to living as best she could. Boudreau also refrained from the typical shifter profile and constructed Mavis as a bird shifter or "two-natured". Deciding to have the main character transform into a magpie kept the shifter trope from feeling stagnant and overused.  

The relationship between Aitch the garage owner and Mavis' boss, was rather humorous. He's a cantankerous thing but Mavis is unfazed and is as cheery as he is cranky. This isn't a completely romance-free urban fantasy but it doesn't overwhelm the plot. It's more of a will they/won't they type of romance that may be developed in future books but it nonetheless made for entertaining banter and heightened tension. 

The ending certainly leaves the door open for a second novel or even the possibility of a series in this new world that I wouldn't be opposed to at all. I enjoyed Mavis coming into her own, learning about herself, and there was enough character growth to move on to a second novel. If you like your urban fantasy to be completely wrapped up at the end, this one may frustrate you a bit. There's a lot left unsaid and unanswered arranging it perfectly for a continuance. I'll definitely be keeping Boudreau on my radar for future releases. 

Today's mini-reviews are Boneset & Feathers by Gwendolyn Kiste, Children of Chicago by Cynthia Pelayo, Certain Dark Things by Silvia Moreno-Garcia.

You don't know their fire is coming until it's too late. That's exactly the way the witchfinders like it. As an isolated enchantress, Odette knows this too well--she lost nearly her whole family to the last round of executions, barely escaping with her own life. All the magic she could conjure wasn't enough to protect her mother and sister, a burden that leaves a despondent Odette practically wishing she'd burned with the rest.

Now it's five years later, and as the last witch left from her village, Odette has exiled herself to the nearby woods where she's sworn off all magic, hoping instead for quiet and for safety. But no witch has ever been permitted a peaceful life.

It starts with crows tumbling out of the clouds and spectral voices on the wind that won't leave her alone. Then there are those midnight visits to the graveyard that she can't quite remember in the morning and the strange children following her everywhere she goes. Odette wants to forget magic, but her magic doesn't want to forget her. Meanwhile, the former friends she left behind in the village are cowering together, hiding from the ghostly birds they believe she's sent to torment them for abandoning her. But that's only the beginning of their problems, as Odette soon discovers their worst nightmare is about to come true--the witchfinders are returning. And this time, the decree is clear: to burn the witch that got away.

With the men drawing nearer to the village, Odette must face the whispers from the dead and confront her fear of her own growing power if she wants any chance of stopping the army of witchfinders determined to rid the countryside of magic once and for all. 

Publication date: November 23rd, 2020

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My Thoughts...

This is my first book of Gwendolyn Kiste's and it won't be my last. Beautifully written, her flowing style took a bit to get into the cadence but once I did, I adored it. While the novella is about a witch, it does more than live up to all the tired tropes about witches. More dark fairytale than horror, there are birds falling dead from the skies and returning changed, an enchanted forest that never spits you out where you came in, strange children, and of course, magic. 

Odette has a reputation as an outsider. The townspeople fear her and instead of blaming their loss on the witchfinders, they choose to blame her as the source of their troubles. Known as the witch who would not burn, Hunted by the witchfinders, Odette not only faced the flames, she somehow consumed them and carry them inside her skin. She's a great character, doubt-filled and living in isolation in the woods away from those who fear her. 

A coming of age story, yes, but this is also a powerful and moving fight for identity, sisterhood, and the right for women to exist without being cowered by men. 

This horrifying retelling of the Pied Piper fairytale set in present-day Chicago is an edge of your seat, chills up the spine, thrill ride. ‪ When Detective Lauren Medina sees the calling card at a murder scene in Chicago’s Humboldt Park neighborhood, she knows the Pied Piper has returned. When another teenager is brutally murdered at the same lagoon where her sister’s body was found floating years before, she is certain that the Pied Piper is not just back, he’s looking for payment he’s owed from her. Lauren’s torn between protecting the city she has sworn to keep safe, and keeping a promise she made long ago with her sister’s murderer. She may have to ruin her life by exposing her secrets and lies to stop the Pied Piper before he collects.

Publication date: February 9th, 2021

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My Thoughts...

There is always a dark side to fairytales and Pelayo gives us a new ominous twist to the Pied Piper, melding fairytale roots, dark urban horror, and police procedural. Chicago's dark and mean streets are laid bare, but there's also beauty there and Pelayo's love of the city shines through. We're given a completely unlikeable female main character, but this is not without planning, as it's also a statement about police and their abusive power without repercussions—a highly controversial topic in today's media. There's a lot of information delivered throughout which at times made the story feel very laden. There's no denying the horror elements of the story, but it almost felt as it was trying to be too many things at once. 

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.

Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

Publication date: September 7th, 2021

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My Thoughts...

 Sparkley vampires need not apply. Certain Dark Things bring back the cold, aloof vampires of days past. Set in Mexico City, Moreno-Garcia shies away from the busy, bright streets into the back alleys and subway tunnels. It's a very neo-noir take, with gangs, drug cartel wars, and multiple sub-species of vampires. The relationship and dialogue between Atl and Domingo seemed awkward and yet, was still amusing. The lore and legend of vampires were unique and interesting but the best part was the world-building. It's gritty and dark with complex morally grey characters.