Published June 10, 2025 by Rowan Prose Publishing, LLC;  

Sapphire Imprint
 

To believe in that other world, she must first learn to believe in herself.

The signs were always there.

The footsteps.

The cries.

The melancholy music from a faraway place.

Though Melissa Roberts lives alone, she chooses not to believe in superstitions. Locked in the rational prison of her closed imagination, she must open her mind and soul to that other place before it’s too late.

For the voices are rising.

The footsteps draw closer.

Until the music is deafening.

She must prepare herself. She must become the Straw Girl. They are coming for her.

Fans of "The Invited" by Jennifer McMahon, "The Ghost of Slackwood House" by J.T. Westbrook, and Susanna Kearsley’s "The Shadowy Horses" will enjoy Straw Girl.

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Brigid Barry is a lifelong resident of Maine. A disabled Air Force veteran and blessed parent of twins, she lives on a small hobby farm with her favorite husband and too many animals. "Straw Girl" is her debut book.

www.brigidbarry.carrd.co

Published January 23, 2024 by Page Street Kids

Labyrinth meets folk horror in this darkly romantic tale of a girl who wishes her baby brother away to the Lord of the Wood

Growing up in the small town of Winston, Pennsylvania feels like drowning. Leah goes to church every Sunday, works when she isn’t at school, and takes care of her baby brother, Owen. Like every girl in Winston, she tries to be right and good and holy. If she isn’t the Lord of the Wood will take her, and she’ll disappear like so many other girls before her.

But living up to the rigorous standards of the town takes its toll. One night, when Owen won’t stop screaming, Leah wishes him away, and the Lord listens. The screaming stops, and all that’s left in the crib is a small bundle of sticks tied with a ribbon.

Filled with shame and the weight of the town’s judgment, Leah is forced to cross the river into the Lord of the Wood’s domain to bring Owen back. But the devilish figure who has haunted Winston for generations isn’t what she expects. He tells her she can have her brother back―for the price of a song. A song that Leah will have one month to write.

It’s a bargain that will uncover secrets her hometown has tried to keep buried for decades. And what she unearths will have her questioning everything she’s been taught to fear.

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My Throat an Open Grave is a exploration of folklore, guilt, and the complexities of good and evil in small-town America. Set in Winston, Pennsylvania, the story follows 17-year-old Leah, who, after wishing her baby brother Owen away, must confront the Lord of the Wood—a mythical figure who has taken children for generations. 

Drawing comparisons to Labyrinth might be unfair. Yes, she wished the child away, and has to journey to get him back, but there is no jewelry-crazed Hoggle, tricksy labyrinth, or singing fireys swapping limbs and heads in this story. Nothing as fantastical as the world in which Sarah finds herself. Instead, Leah has to cross the river, find the terrifying Lord of the Wood and trade something of meaning to get her brother back. 

Leah's inner voice takes center stage often. She speaks to and about herself with a level of cruelty that’s difficult to stomach at times. Throughout the story, she repeats the idea that she’s broken, bad, or unlovable, and this negative self-talk becomes a major lens through which we see her experiences. Leah's self talk becomes a way to unravel not just who she is, but how others have defined her. It's heavy (and sometimes annoying).  Leah's journey isn’t just about confronting the Lord of the Wood—it’s also about confronting the narrative she’s been forced to believe about herself. 

While there are supernatural elements, the true horror in My Throat an Open Grave isn’t from the Lord or the forest, it’s in the silence of the town, in what people are willing to ignore, and in the way fear and guilt twist Leah’s choices. While those looking for more in-your-face horror will be disappointed, keep in mind this is rated young adult. I found it less eerie than just sad. 

Published October 17, 2023 by Henry Holt and Co. (BYR)

A bloodstained tale of a girl torn between her vows and her heart, where falling in love may be the deepest sin of all…

Everline Blackthorn has devoted her life to the wardens—a sect of holy warriors who guard against monsters known as the vespertine.

When a series of strange omens occur, Everline disobeys orders to investigate, and uncovers a startling truth in the form of Ravel Severin: a rogue vespertine who reveals the monsters have secrets of their own.

Ravel promises the help she needs— for a price. Vespertine magic requires blood, and if Everline wants Ravel to guide across the dangerous moorland, she will have to allow him to feed from her.

It’s a sin for a warden to feed a vespertine— let alone love one— and as Everline and Ravel travel further across the moorland, she realizes the question isn’t whether she will survive the journey, but if she will return unchanged. Or if she wants to.

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Unholy Terrors is a breathtaking descent into a world of ruined faith, cursed forests, and forbidden love. It’s the kind of gothic fantasy that is full of blood and bone-deep magic and decayed beauty. 

Set in a realm haunted by terrifying creatures called vespertine, the story follows Everline Blackthorn, a young warden bound by duty but born without magic. Her life has been shaped by silence, discipline, and the shadow of her mother’s betrayal. When she meets Ravel Severin—a boy she’s been taught to fear—Everline’s world begins to unravel. Forced into a dangerous alliance to save her best friend, she must question everything she’s ever believed about monsters, loyalty, and herself.

Clipstone’s writing is lush and immersive, filled with grief, rage, longing, and desire woven through every scene. The worldbuilding is gorgeous: ancient cathedrals slowly sliding into rot and ruin, magic that’s as much curse as blessing, and monsters that speak in riddles and memory. There’s an almost reverence for decay and ruin, making the setting feel like a living character in its own right.

The relationship between Everline and Ravel is at the heart of the novel, with their growing connection adding emotional depth to the story. It’s everything a gothic love story should be—slow-burning, feral, and dangerous. Everline and Ravel’s bond is rooted in shared pain and the brutal process of unlearning everything they’ve been taught about good and evil. Their connection is intense, yet tender, and never simple. Their dynamic is layered and complicated, exploring how love, loyalty, and betrayal intertwine in a world filled with secrets. 

Lyndall Clipstone has written a novel that feels like it was pulled from the bones of a dark fairytale—strange and darkly beautiful. Unholy Terrors is more than just a fantasy with monsters. It's about shedding the expectations that bind you, breaking free of old truths, and finding love in the last place you’re supposed to look.

Published March 28, 2023 by Tor Nightfire

A contemporary Southern Gothic from award-winning master of modern horror, T. Kingfisher. A House With Good Bones explores the deep, dark roots of family.

Sam Montgomery is worried about her mother. She seems anxious, jumpy, and she's begun making mystifying changes to the family home on Lammergeier Lane. Sam figures it has something to do with her mother's relationship to Sam's late, unlamented grandmother.

She's not wrong.

As vultures gather around the house and frightful family secrets are unearthed under the rosebushes, Sam struggles to unravel the truth about the house on Lammergeier Lane before it consumes her and everyone else who stands in its way...

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A House with Good Bones by T. Kingfisher is what happens when Southern hospitality meets creeping dread—and then both sit down for a very awkward family dinner. The story follows Sam, a refreshingly snarky archaeologist and bug enthusiast, who returns to her childhood home only to find her usually vibrant mother behaving like a polite, nervous stranger. The usually eccentric house is too clean, too white, the air too still and the garden? Let’s just say it has… opinions. Things go from “Hmm, that’s odd” to “Holy freaking ladybugs” in the best, weirdest way possible.

Kingfisher blends unsettling horror with laugh-out-loud moments in a way only she can. One minute you’re creeped out, the next you’re snorting at Sam’s deadpan commentary. It’s not a scream-fest, but it is eerie and absurd and deeply weird in the way only Kingfisher does. One minute you're reading about ghostly whispers and oppressive vibes, the next you're laughing at Sam's sarcastic inner monologue or her casual conversations about bugs. The horror here is more unsettling than terrifying, but it sticks with you—and there's a wonderfully grotesque twist that really delivers.

The novel spends a lot of time carefully layering tension, hinting at deep-rooted family trauma, strange supernatural forces, and an ominous legacy tied to the grandmother’s influence. But when the horror finally arrives, it feels a bit rushed and underdeveloped. It’s not a bad ending by any means, it’s quirky, bold, and in line with the novel’s tone but compared to the expansiveness of the first two-thirds, it feels like it wrapped up too quickly. Despite that, Kingfisher remains on the must-read list for me. 

Published May 2, 2023 by Tor Nightfire

From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself.

You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes.

On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three 'saints' who control them.

The mermaid and her doctor must embrace the cruelest parts of their true nature if they hope to survive.

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 Cassandra Khaw’s The Salt Grows Heavy is a grim, lyrical horror-fantasy that begins with the mermaid's children having just eaten her prince. Albeit, he wasn't a very nice one. Khaw takes the familiar mermaid myth and completely capsizes it, crafting a story that’s brutal, surreal, and, beneath all the blood and bone, surprisingly tender. It's a novella that defies clear classification — a hybrid of gothic fairy tale, body horror, and lushly poetic prose. 

The story kicks off with the merchildren eating their way through the kingdom. Striking a weird companionship are the murderous mermaid and a plague doctor. She’s a predator, archaic and uncaring, but also deeply introspective. (Of course, she'd have to be since her husband recently cut out her tongue.) The peculiar plague doctor is enigmatic yet witty. The two strike up a friendship and almost coy flirtation.

I've said before that Khaw's writing is not for everyone. It's dense, with each morsel needing to be chewed carefully before being consumed. It’s the kind of language that turns violence into poetry and transforms body horror into something oddly exquisite.  It’s brutal and beautiful, grotesque and captivating. For readers who enjoy language that leans into the stylized and surreal, it’s an enjoyable experience. For many others, it may be a barrier to reading any of Khaw's writing. 

The tone is relentlessly grim, but not without a strange, dry humor that punctuates the story in unexpected places. It’s perfect for readers who enjoy weird literary horror, mythic storytelling, and moral ambiguity. It’s about monsters but also transformation, and what it means to survive when the world sees you as a thing to be used or controlled. This isn't a fairy tale. It's what crawls out of the sea foam after the supposed "happily ever after" is over.

Just like Khaw's expansive writing, The Salt Grows Heavy is not for everyone. If you’re looking for a tightly plotted story with clear moral lines and conventional structure, this probably won’t be your thing. It’s strange. It’s lyrical. It’s emotional. It’s a novella that doesn’t explain itself — it just pulls you under the waves and waits for you to drown.

Published March 25, 2025 by Poisoned Pen Press

"I'm in your blood, and you are in mine…"

The Netherlands, 1887. Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too.

Then, the worst happens. Sarah's behavior takes a turn for the strange. She becomes angry… and hungry. 

Lucy soon comes to suspect that something is trying to possess her beloved sister. Or is it madness? As Sarah changes before her very eyes, Lucy must reckon with the dark, monstrous truth, or risk losing her forever.

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Set in 1887 Netherlands, Blood on Her Tongue follows Lucy as she returns to her family's estate to care for her twin sister, Sarah, who has become ill and dangerously fixated on a bizarre body unearthed in the bog near their home. As Sarah's behavior grows increasingly erratic, Lucy must confront the possibility that something far more sinister than madness is at play.

As is true with gothic fiction, the atmosphere reigns supreme. The author builds a haunting, claustrophobic setting that perfectly complements the story’s tension. The house feels cold and suffocating, the nearby bog is basically a character itself, and there’s this constant dread hanging over everything. Sarah's transformation is both disturbing and magnetic, drawing readers into a world where the line between the natural and the supernatural blurs. Her peculiar behavior and condition are filled with uncertainty and mystery.

 
Lucy is a great narrator, determined to make sense of her sister's decline. The bond between the twins is the heart of the story, but it’s twisted and uncomfortable in a way that totally works for gothic fiction. It's complicated, painful, and achingly human.  You’re never quite sure what’s real or what’s supernatural, which helps the creeping unease. As with a lot of gothic fiction, it’s a slow burn. There’s more moodiness and creeping unease than plot devices, but the payoff is worth it if you hang in there.

If you like your horror quiet, slow, and full of creeping dread, Blood on Her Tongue might be right up your alley. This book is all about mood—foggy landscapes, crumbling family homes, and the kind of tension that feels both tender and terrifying.

Published October 8, 2024 by G.P. Putnam's Sons Books for Young Readers

Faolan Kelly’s grandfather is dead. She’s alone in the world and suddenly homeless, all because the local powers that be don’t think a young man of sixteen is mature enough to take over his grandfather’s homestead…and that’s with them thinking Faolan is a young man. If she revealed that her grandfather had been disguising her for years, they would marry her off at the first opportunity.

The mayor finds a solution that serves everyone but Faolan. He hires a gunslinger to ship her off to the Settlement, a remote fort where social outcasts live under the leadership of His Benevolence Gideon Dillard. It's a place rife with mystery, kept afloat by suspicious wealth. Dillard's absolute command over his staff just doesn't seem right. And neither do the strange noises that keep Faolan up at night.

When Faolan finds the body of a Settlement boarder, mangled by something that can’t possibly be human, it’s clear something vicious is stalking the palisades. And as Settlement boarders continue to drop like flies, Faolan knows she must escape to evade the creature’s wrath.

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Lish McBride has never met a genre she couldn’t wrestle into something fun and fierce—and Red in Tooth and Claw is no exception. It's a dark and quietly powerful young adult fantasy that blends the dust and grime of Western grit with supernatural intrigue and hidden threats. Imagine if the Wild West got strange, feminist, and slightly feral. Then throw in a heroine who’s tougher than a two-dollar steak and just as likely to punch you in the eye as look at you. It's the perfect amount of heart and snark.

 Set in an alternate Old West where magic and horror entwine, the story follows Faolan Kelly. To keep herself safe and to give her more opportunities in a rugged, patriarchal world, she's spent her life passing as a boy. After her grandfather's death, Faolan is sent to the Settlement, a remote fort led by the enigmatic His Benevolence Gideon Dillard (because that doesn't scream cult leader at all!).  Faolan quickly realizes the Settlement isn’t a refuge—it’s a trap. And she might be the only one sharp enough (or stubborn enough) to escape it.

Faolan is exactly the kind of protagonist you want in a world full of monsters—quick with a comeback and even quicker with a plan. Scrappy, resilient, and totally relatable. No matter the odds, she's not backing down.  She’s not trying to be a hero; she’s trying to survive.

The story weaves together elements of mystery, horror, and magic, keeping readers intrigued as Faolan uncovers the secrets of the Settlement. It’s a story about survival and the cost of being seen in a world that prefers you not to take up space. There's humor, but McBride keeps it light compared to some of her other novels.  If there's a downside, it's that this is a slower-paced book. If you’re expecting action on page one, it might feel like a slow burn. But the tension builds beautifully, and when things do go sideways, it hits harder because of it. There's a tad bit of romance, but it doesn't detract from the story.

Red in Tooth and Claw is a bite-sized delight for fans of paranormal fiction who like their monsters with a side of snark and soul. Moody, magical, and meaningful—with just enough teeth.

Published April 26, 2022 by Tor Books

After years of seeing her sisters suffer at the hands of an abusive prince, Marra—the shy, convent-raised, third-born daughter—has finally realized that no one is coming to their rescue. No one, except for Marra herself.

Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning.

On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.

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In Nettle & Bone, T. Kingfisher delivers a darkly enchanting original fairy tale that is as emotionally rich as it is darkly tongue-in-cheek. This novel threads elements of deconstructed fairy tales with horror and wit. 

When Marra learns the full extent of her sister’s suffering at the hands of a powerful and abusive prince, she sets out to kill him—as one does.  However, this requires the help of a ragtag group of unlikely companions: a dust-wife, a bone dog, an ex-knight, and a possessed chicken.  Yes, you read that right. Demon. Possessed. Chicken. With these quirky sidekicks, this adventure is officially off the rails.  

Marra isn’t your usual heroine either. She’s middle-aged, introverted, and not exactly sword-swinging slay-the-dragon type—but her quiet determination is impossible not to root for. She's realized the painfully obvious: no one is coming to save them. So she’s going to do it herself. If that means it's "off with his head", she'll find the axe. 

Nettle & Bone is a fairy-tale nouveau—a magical, macabre, and mystical messed-up journey full of heart, humor, and just enough horror. If you like your fantasy clever, creepy, and just a tad bit unhinged, this one is for you. 

Published June 7, 2024 by Wicked House Publishing

Whitt Rogers has been dreaming.

Horrible dreams.

Dreams that stretch the very fabric of the real and the unreal as he is pulled by a voice across the country to a small crab fishing ship set to depart into the Bering Sea. At sea, the memories piece themselves together in cracked fragments. But there is something out there. Something speaking to Whitt in his dreams. A voice from a long-forgotten memory that promises peace at the cost of madness. A voice that leads to a place unimaginable and inescapable

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A Dark and Endless Sea is a quiet, introspective horror novel that leans heavily into grief, memory, and isolation. Blaine Daigle clearly has a talent for atmospheric writing—his prose is thoughtful and often poetic, creating a somber tone that lingers throughout the book.

The story centers on Whitt, who has woken with no memory of what came before this moment.  He's plagued by nightmares of a flooded town and floating dead bodies. He's directed to a crabbing boat in small-town Alaska. There’s a lot to admire in how Daigle explores the fragility of human connection while in isolation.  The emotional realism is the book’s strongest point. There are a lot of dream sequences, compounding Whitt as an unreliable narrator, and leaving the reader with a sense of surrealism.

That said, the pacing is slow—very slow. While some readers may appreciate the quiet build, I found myself wanting more payoff and a clearer sense of stakes. It’s a story that flirts heavily with dread, but the ending just didn't deliver in a satisfying way.

I loved The Broken Places, but this one just wasn't for me.