Published October 22, 2024 by Maverick Ranch 

Respected Navajo, Sheriff Tanaka Chee, must investigate a pile of gruesome murders near the forests of Flagstaff Arizona. The signs tell the Sheriff that it isn’t a man. Soon the case begins to remind him of stories his grandfather told. Dark stories about the Yee Naaldlooshii. An evil that turns someone into a beast on the nights of the full moon. When Sheriff Chee finally learns the stories are true it is too late. Tanaka then sets out to track the beast across the country turning it into a vicious game of cat and mouse.

From the author who brought you the horror story collection, Free Candy, comes the novel Wolf’s Hyde. From the trenches of Nazi Germany to the streets of Detroit. Follow one man's crusade fueled by guilt and driven by wrath.

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Dylan Collins Dunbar is a professional touring musician from Detroit, Michigan who has shared the stage with, or directly supported artists like Chris Stapleton, Patti Smith, Elle King, and many more. Since 2015, he has toured the United States with his wife, Jennifer, performing their original music in close to all 50 states. Through recovery from alcoholism, he discovered he had a passion for writing. In 2023, he figured it was time to embark on a new creative endeavor. As a result of sobriety, he now gets to explore the dark places of his mind in a positive way. 

  

Published May 14th 2024 by Berkley 

A single mother working in the gothic mansion of a reclusive horror director stumbles upon terrifying secrets in the captivating new novel from the national bestselling author of Good Girls Don't Die and Horseman.

Harry Adams has always loved horror movies, so it’s not a total coincidence that she took the job cleaning house for movie director Javier Castillo. His forbidding graystone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes, as well as glittering awards from his career making films that thrilled audiences—until family tragedy and scandal forced him to vanish from the industry.

 

Javier values discretion, and Harry has always tried to clean the house immaculately, keep her head down, and keep her job safe—she needs the money to support her son. But then she starts hearing noises from behind a locked door. Noises that sound remarkably like a human voice calling for help, even though Javier lives alone and never has visitors. Harry knows that not asking questions is a vital part of working for Javier, but she soon finds that the sinister house may be home to secrets she can’t ignore.

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Javier Castillo had brown hair going gray, brown eyes behind steel-rimmed spectacles, was on the shorter side (though not as short as Harry, who had reached five feet at age thirteen and never grown again) and overall had the completely nondescript appearance of any random person on the block. He was the sort who would never attract attention unless you knew who he was, would never be whispered about if he went to the grocery store-which he never did. He never went anywhere if he could help it.

Because of this, very few people in his neighborhood realized one of the world's greatest living horror directors lived among them: Javier Castillo, director and writer of fifteen films, most of them visually groundbreaking, genre-defying masterpieces. His film The Monster had won the Oscar for Best Picture five years earlier and swept most of the other major categories along the way, including Director and Original Screenplay. The world had waited breathlessly for the announcement of his next project.

Then a shocking, unthinkable incident happened, and Castillo withdrew into his California home, and there was no mention of potential new movies while the paparazzi stood outside his house with their cameras ready for any sign of life within.

After one too many wildfires came too close to his residence he decided to move, somewhat incongruously, to Chicago. He packed up his legendary and possibly priceless collection of movie props and memorabilia and brought them to a cold Midwestern city where the last major urban burning was decidedly in the distant past.

If it wasn't for those California wildfires Harry would still be collecting unemployment, frantically responding to job ads with a horde of other desperate people, never hearing back, wondering how long Gabe would believe her tight smile followed by, "Everything's going to be fine."

But instead there was this miracle, this miracle of a strange and reclusive director who needed someone to help him clean his collection of weird stuff three days a week, and so Harry climbed up the stairs and listened to Javier Castillo huff and puff.

The second floor was essentially one big room divided by a load-bearing archway. The stairs curved up to the southwest corner of this room and stopped there. The stair to the third floor was on the northeast corner, which always made Harry think of a Clue board, with its seemingly random staircases scattered all around. There was a black railing running along from the southeast corner of the room to the top of the stairs to keep people from falling straight down the first-floor stairwell.

The bucket of cleaning supplies was ready at the top of the stairs. Harry and Mr. Castillo each took a long-handled duster. Mr. Castillo went to the far end of the room while Harry started on the closest figure.

The blue room wasn't entirely blue. The carpet was blue-and Harry really thought he ought to get rid of the carpet; it collected dust and it was such a difficult room to vacuum. The wallpaper had blue flowers patterned on it, blue flowers that made Harry think of Agatha Christie's story "The Blue Geranium."

Except that's not quite right, Harry thought. In "The Blue Geranium" the color of the flower on the wall changed to blue because of a chemical in the air-proof of poison.

Nobody was in danger of poisoning in Bright Horses. Nobody lived there except Mr. Castillo-and his props, of course, and some of those were so lifelike that Harry sometimes thought they really were watching her, just out of the corner of her eye. When she'd turn, the figures would be still and glassy-eyed, the artificial pupils staring off into the middle distance, never having focused on her or anything else at all.

Excerpted from The House That Horror Built by Christina Henry Copyright © 2024 by Christina Henry. Excerpted by permission of Berkley. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Christina Henry is a horror and dark fantasy author whose works include Horseman, Near the Bone, The Ghost Tree, Looking Glass, The Girl in Red, The Mermaid, Lost Boy, Alice, Red Queen, and the seven-book urban fantasy Black Wings series. Learn more online at www.christinahenry.net.  

  

March was an amazing month for horror!

I started off the month with Cassandra Khaw and Richard Kadrey's The Dead Take The A Train, which was gruesomely fast-paced. I read the second book in the Sworn Soldier series, What Feasts at Night by T. Kingfisher and took a chance on KU for Whispers of Blackwell House by Amelia Cognet. The Butcher of the Forest by Premee Mohamed with its gothic fairytale feel was a favorite. Its fantasy/horror mashup was delightful. Keeping the forest theme going, C.G. Drews' Don't Let the Forest In won't publish until October but you want to put this YA book on your TBR now. 

You'll have to wait on another couple of my favorites from this month: Christina Henry's new release The House That Horror Built is coming out in May and Chuck Tingle's newest Bury Your Gays will be published in July. When I say so many good books, I mean it! 

My absolute favorite though was Nick Roberts' Mean Spirited. I haven't read something this creepy in a long time. Highly recommend!

What's next for April? Space horror, haunted houses, psychological horrors, it's all here! 

Here are just a few of April's don't-miss horror releases. 

See the whole list of 2024 releases here. 

Goodreads

Rise and shine. The Evans women have some undead to kill.

It’s 1999 in Southeast Texas and the Evans women, owners of the only funeral parlor in town, are keeping steady with…normal business. The dead die, you bury them. End of story. That’s how Ducey Evans has done it for the last eighty years, and her progeny―Lenore the experimenter and Grace, Lenore’s soft-hearted daughter, have run Evans Funeral Parlor for the last fifteen years without drama. Ever since That Godawful Mess that left two bodies in the ground and Grace raising her infant daughter Luna, alone.

But when town gossip Mina Jean Murphy’s body is brought in for a regular burial and she rises from the dead instead, it’s clear that the Strigoi―the original vampire―are back. And the Evans women are the ones who need to fight back to protect their town.

As more folks in town turn up dead and Deputy Roger Taylor begins asking way too many questions, Ducey, Lenore, Grace, and now Luna, must take up their blades and figure out who is behind the Strigoi’s return. As the saying goes, what rises up, must go back down. But as unspoken secrets and revelations spill from the past into the present, the Evans family must face that sometimes, the dead aren’t the only things you want to keep buried.

A crackling mystery-horror novel with big-hearted characters and Southern charm with a bite, Bless Your Heart is a gasp-worthy delight from start to finish.

Goodreads

Bram Stoker Award-winning author Hailey Piper joins Bad Hand Books with a supernatural crime novella.

What’s been happening at Cranberry Cove? It’s unspeakable. It’s unspoken.

Emberly Hale is about to take a dark journey inside the derelict hotel—and inside her own past—to find out the horrible truth.

Goodreads

Discover this creepy, charming monster-slaying fantasy romance—from the perspective of the monster—by Nebula Award-winning debut author John Wiswell

Shesheshen has made a mistake fatal to all monsters: she's fallen in love.

Shesheshen is a shapeshifter, who happily resides as an amorphous lump at the bottom of a ruined manor. When her rest is interrupted by hunters intent on murdering her, she constructs a body from the remains of past meals: a metal chain for a backbone, borrowed bones for limbs, and a bear trap as an extra mouth.

However, the hunters chase Shesheshen out of her home and off a cliff. Badly hurt, she’s found and nursed back to health by Homily, a warm-hearted human, who has mistaken Shesheshen as a fellow human. Homily is kind and nurturing and would make an excellent co-parent: an ideal place to lay Shesheshen’s eggs so their young could devour Homily from the inside out. But as they grow close, she realizes humans don’t think about love that way.

Shesheshen hates keeping her identity secret from Homily, but just as she’s about to confess, Homily reveals why she’s in the area: she’s hunting a shapeshifting monster that supposedly cursed her family. Has Shesheshen seen it anywhere?

Eating her girlfriend isn’t an option. Shesheshen didn’t curse anyone, but to give herself and Homily a chance at happiness, she has to figure out why Homily’s twisted family thinks she did. As the hunt for the monster becomes increasingly deadly, Shesheshen must unearth the truth quickly, or soon both of their lives will be at risk.

And the bigger challenge remains: surviving her toxic in-laws long enough to learn to build a life with, rather than in, the love of her life.

 

Goodreads

A queer paranormal psychological horror novel, in the style of showrunner Mike Flannagan, showing the complex real-life terror inherent in grief and mental illness After the tragic death of their father and surviving a life-threatening eating disorder, 18-year-old Ellis moves with their mother to the small town of Black Stone, seeking a simpler life and some space to recover. But Black Stone feels off; it’s a disquieting place, one that’s surrounded by towns with some of the highest death rates in the country. It doesn’t help that everyone says Ellis’s new house is haunted. And Ellis has started to believe they see pulsing veins in the walls of their bedroom and specters in dark corners of the cellar. They soon discover Black Stone, and their house in particular, is the battleground in a decades-long spectral war, one that will claim their family ― and the town ― if it’s allowed to continue. Withered is queer psychological horror, a compelling tale that tackles important issues of mental health in the way that only horror by delving deep into them, cracking them open, and exposing their gruesome entrails.

Published March 12, 2024 by Orbit

Set in a world of perilous magic and moonlit forests, this seductive romantic fantasy tells the story of a defiant changeling, her cursed sister, and the dangerous fae lord she must defeat to save her family.

In a kingdom where magic has been lost, Fia is a rare changeling, left behind by the wicked Fair Folk when they stole the high queen's daughter, Eala, and retreated behind the locked gates of the Folk realm. Rather than leave Fia an outcast, the queen takes her in and trains her to be a spy.

When a hidden gate to the realm is discovered, Fia is tasked by the queen to retrieve the princess and break her curse. Accompanying Fia is Prince Rogan, her dearest childhood friend—and Eala’s betrothed. As they journey through the forests of the Folk, Fia’s mission is complicated by her feelings for Rogan…and an unexpected attraction to the fae lord holding Eala captive. 

Soon, Fia begins to question the truth of her origins and the reality of her mission, but time is running out to break Eala's curse. And unraveling the secrets of the past might destroy everything Fia has come to love.

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There is a ton of fae-based "romantasy" out there right now since the rise of fiction like ACOTAR. It's difficult given the complete inundation of the current book market to publish something that feels fresh. However, that's just what Lyra Selene did. This fairytale-inspired tale has a uniqueness, while still containing the elements that more mainstream readers will enjoy. 

Even though she was swapped for the princess, Fia hasn't lived a cushy life. The queen has raised her as a weapon and given her love like one would for a dog learning to sit. Affection only when she's done a good job. As anyone would be raised like that, Fia spent a lot of time with her inner dialogue on repeat. You really just want her to wise up and realize that she's worthy already. Fia could get on your nerves quick yet you found yourself cheering her on at other times. 

Fia and Rogan can only access the fae world on the full moon so a lot of the book was character development. I loved the development of Fia's botanical magic and bringing the greenhouse back to life. Fia's relationship with the sprite Corra added a spot of mischief to the story. Despite that, A Feather So Black's ending got dark.  I was surprised at how dark a turn it actually took. 

This is going to be one of those dividing books. You are either going to love it or hate it. I enjoyed the world-building and the mythology. The romance wasn't my favorite thing about the book but if you like enemy-to-lover tropes and insta love, it may just work for you.

Published October 3, 2023 by Tor Nightfire

Bestselling authors Cassandra Khaw and Richard Kadrey have teamed up to deliver a dark new story with magic, monsters, and mayhem, perfect for fans of Neil Gaiman and Joe Hill.

Julie Crews is a coked-up, burnt-out thirty-something who packs a lot of magic into her small body. She’s been trying to establish herself in the NYC magic scene, and she’ll work the most gruesome gigs to claw her way to the top.

Julie is desperate for a quick career boost to break the dead-end grind, but her pleas draw the attention of an eldritch god who is hungry for revenge. Her power grab sets off a deadly chain of events that puts her closest friends – and the entire world – directly in the path of annihilation.

The first explosive adventure in the Carrion City Duology, The Dead Take the A Train fuses Khaw’s cosmic horror and Kadrey’s gritty fantasy into a full-throttle thrill ride straight into New York’s magical underbelly.

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Had I done anything but see Khaw and Kadrey and gone ooo shiny, I may not have picked this one up.  However, to my surprise, this magic and mayhem mash-up was most engrossing. Kadrey had long solidified his place as one of my favorite urban fantasy series with Sandman Slim. Khaw is hit or miss for me due to their wordsmithing. While it can be lovely, it's often overwhelming due to their more obscure vocabulary. Their prose comes in large mouthfuls that have to be chewed methodically but there's no denying that absolutely no one writes like Khaw. I wondered how exactly the two styles could possibly mesh seamlessly but somehow they did. 

Any good read starts with good characters and the protagonist Julie is an absolute fucking delight. I use that word because writing a review about this book without at least one f-bomb would not be doing justice to the chaotic mess that is Julie. She's snarky, hilarious, and totally off the cuff but when I say she's a mess, she is a MESS. Between the moments she spends being a badass, she's loading herself on whatever she can get, whether that's booze or pills. 

Julie's chaos only adds to that of this book. Urban fantasy heavy on gore with a twist of eldritch horror, The Dead Take The A Train is a bizarre mash-up of genres that probably should not work, like the two authors in questions, yet somehow do. Kadrey has always been on the gritty side of UF and with Khaw's influence taking that completely over the top to the dark side of horror, this is an unconventional pairing that I'm excited to see again in the future.

Gruesomely overflowing with both the grotesque and irreverent, this neon nightmare fuel will have the least tryptophobic of us seeing holes (and eyes, lots of freaking eyes) everywhere. I picked this one up as an audiobook and Natalie Naudus was a fantastic narrator. 

Published January 16, 2024 by Delacorte Press

A teen girl and her family return to her mother's childhood home, only to discover that the house's strange beauty may disguise a sinister past, in this contemporary gothic horror from the author of What We Harvest.

The house was supposed to be a fresh start. That's what Libby's mom said. And after Libby’s recent bipolar III diagnosis and the tragedy that preceded it, Libby knows she and her family need to find a new normal.

But Libby’s new home turns out to be anything but normal. Scores of bugs haunt its winding halls, towering stained-glass windows feature strange, insectile designs, and the garden teems with impossibly blue roses. And then there are the rumors. The locals, including the mysterious boy next door, tell stories about disappearances tied to the house, stretching back over a century to its first owners. Owners who supposedly hosted legendary masked séances on its grounds.

Libby’s mom refuses to hear anything that could derail their family’s perfect new beginning, but Libby knows better. The house is keeping secrets from her, and something tells her that the key to unlocking them lies in the eerie, bug-shaped masks hidden throughout the property.

We all wear masks—to hide our imperfections, to make us stronger and braver. But if Libby keeps hers on for too long, she might just lose herself—and everyone she loves.

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A Place for Vanishing is my first read by Ann Fraistat but it certainly won't be the last. This YA horror has a bit of everything: a creepy house, mystery, séances, and bugs; lots and lots of bugs. I can guarantee that even if you've read lots of books with those same themes, there is nothing like this book out there.

As with any good gothic horror, the setting is the perfect backdrop for this story. At first, it seems charmingly dilapidated with its strange blue roses and beautiful insect-themed stained glass windows containing masks of said insects. Sure, the house needs some love. The crumbling Victorian has good bones but hasn't had upkeep in decades.  From its faded, peeling bug-patterned wallpaper, to its boarded-up windows, it's a strange place with a myriad of different types of insects despite fumigation. There are weird noises from the attic rooms and the grandparent's oddly locked bedroom door. For years, Libby's mom has avoided living in this house and instead chose to live in a small apartment but why? When Libby's new diagnosis means she feels they all need a fresh start in a new town, off they pop to the entomology motific house. 

I can't speak to Libby's diagnosis and whether the author did well with presenting a person with bipolar disorder. Mental health affects not only the person but those who love and care for them as well. In this, I believe the author strived to portray an honesty that isn't often in fiction regarding mental illness.  Libby seems especially laid bare and her emotions are visceral which lends credibility to her character. It was nice to see her relationship with her younger sister, Vivi, grow and ultimately thrive. Flynn makes a great wingman but I'm glad to see any romance takes a backseat to the mystery. 

A Place for Vanishing doesn't give you much time to breathe. Weird stuff starts happening immediately and only accelerates from there. At first, the changes are somewhat extraordinary and bewitching but as time passes, the creepiness and wrongness only snowballs. While this horror is less "Boo I'm a ghost" and more paranormal, there's certainly plenty of body horror to entertain. And bugs. Lots and lots of bugs.