Published February 8th 2022 by Tor Nightfire 

(first published May 7th 2019)

NATURE IS CALLING—but they shouldn't have answered.

Travel journalist and mountaineer Nick Grevers awakes from a coma to find that his climbing buddy, Augustin, is missing and presumed dead. Nick’s own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia—but he remembers everything.

He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps.

He remembers how the slopes of Maudit were eerily quiet, and how, when they entered its valley, they got the ominous sense that they were not alone.

He remembers: something was waiting for them...

But it isn’t just the memory of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him…

It’s one thing to lose your life. It’s another to lose your soul.

FROM THE INTERNATIONAL BESTSELLING SENSATION THOMAS OLDE HEUVELT comes a thrilling descent into madness and obsession as one man confronts nature—and something even more ancient and evil answers back. 

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Nick Greeves wakes in the hospital bandaged and with no memory of what occurred to his climbing partner, Augustin on the Maudit in the Swiss Alps. Broken both physically and mentally, Nick's Adonis face is now craggy and sharp. Nick's boyfriend, Sam, is also trying to come to grips with knowing that Nick will never be the same in spite of surgeries to fix the defect. He's attempting to be grateful that Nick is still alive, but it's challenging with Nick's continued silence about what happened on that mountain. With Nick's face wrapped like a mummy from a tomb, Sam is desperately trying to get Nick to let his guards down.

Our story doesn't start that way though. It starts with a terrifying encounter with Sam's sister, Julia, as she wakes in the middle of the night seeing shadow people standing at the bottom of the stairs. Every time she takes her eyes off them, even to blink, they get closer...and closer. Whoo. Easily one of the most terrifying intros I've read.

There's no denying that Echo is dark and unsettling. The first chapter only solidifies that fact with its shades on the stairs waking nightmare. It can't possibly continue that momentum so what Thomas Olde Heuvelt presents instead is a character-driven narrative. He gets us completely invested in Sam and Nick's strained relationship as we attempt to empathize with both sides. It's difficult at first to like Nick as a character. He's reserved and withdrawn, even from Sam who despondently loves him. Echo toys with our emotions in the relationship between the two. It's romantic and heartbreaking and we can only watch as it plays out.

Told in bits and pieces from diary passages, manuscripts, and notes, we eventually get the story of what happened on the mountain and thus to Augustin. Echo is a lengthy novel with an excess of technical climbing information. While that lends credence to the story, I think it could have benefited from a good editing chop. The pacing also falters at times. We get that great opening, some creepy moments, and then not a whole lot of anything in the middle. The ending, however, sees it all crashing down around us.

Having been less than impressed with the follow-through of Hex, I was reluctant to pick up Echo but I don't regret it. It's not an in-your-face fright but a steady, steep (if you'll excuse the pun) climb to the peak. A complex building of pressure with imagery both brutal and beautiful.  There's a fantastic tie-in of folklore and small village superstition, especially with the birds. I don't want to give anything away as this is one that needs experiencing but sometimes the abyss stares back.

Published October 12th 2021 by Hold My Beer Publishing

A MAIDEN VOYAGE…

The Pepper Kay is no stranger to the open seas, but now she has a new captain: God. His maiden voyage aboard the newly-acquired vessel will be operated by a crew greener than seaweed. With a reputation like God’s, they were all he could find.

NO MAN’S WATER…

The Pepper Kay and her greenhorn crew, captained by God and his shady deckboss Nash, voyage into the brutal unknown of the Bering Strait in search of Dungeness crab. But, when a storm rolls in and the crew hauls from the depths an impossibility, something ripped from the pages of nautical folklore, tensions mount and the crew separates into factions: good versus evil.

THOSE WHO DWELL IN DARKNESS…

Nash has plans for their newest catch, plans God is not a part of, and the deckboss will wade through blood and chum before he allows his goal to be blocked. As the crew dwindles, laid low one by one, the remaining shipmates must faceoff against not only the human evil of Nash, but something much, much older. 

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On board of the Pepper Kay, an unskilled crew directed by God (no, not that God) is on its way to the Bering Strait for crabbing. From God's, the captain, point of view, this is a ragtag group: Sam, "tall and rangy", Jordan, "dark of skin but bright of gaze", Charlie, a "no-nonsense woman", and Nash, "mean and unshaven", it's an odd group for sure even for God. God has three commandments for his crew. They need to do what he says, work hard, and work together.  

Nash is nasty. He's an absolutely vulgar, abhorrent sack of testosterone that deserves to be castrated and then quartered by horses. He's such a piece of excrement that it's honestly difficult to read the scenes that he is in. He's exactly the kind of character that you wish the deepest, darkest corners of the earth to swallow him down and torture daily without remorse. I've read some atrocious characters before but I can honestly say Nash is by far, the most deplorable. There are no redeemable traits about him whatsoever. None. He's disgusting, perverse...there truly aren't enough words in the English language for Nash. 

While the focus is on the clashing personalities aboard the Pepper Kay, we mustn't count out the danger of what they have drug up from the deep. This mermaid is ugly, superficially human, but with a mouth and teeth more like a dolphin, green tangled hair, blue skin, and the tail of something that resembles a whale.  It's a tight, dreadful atmosphere aboard the Pepper Kay with the so-called mermaid in the hold. As the story progresses, the crew is stuck desolately in the middle of the ocean with danger both on board and off, we are then left to decide who the true monster is. (Hint: only one is pure evil.) 

The pacing was brilliant but I found myself wanting more mayhem by mermaid. Oh, there is carnage galore, but it went way too fast and skipped to the end. I highly enjoyed the perspective of the Pepper Kay itself, with its almost all-knowing compassion and empathy. There are many triggers in the book and the authors give a list of them, so I highly recommend reading those first. Maiden is a hard story to swallow, getting stuck in your throat as you try to gulp air past the blockage. 

Published February 26th 2022 by Tangled Tree Publishing

What happens in Vegas just might kill you.

When divorcee Justin Gray wakes up next to a beautiful stranger in Vegas on his birthday weekend, he assumes it’s just a drunken mistake. When he discovers that he’s married to said stranger in her early twenties, he insists on an annulment and assumes his life will return to normal once he gets back home.

He assumes wrong.

As the shapely blonde refuses to give him an annulment and insists the marriage continue, what was a wild weekend turns into a deadly mistake.

Murder is only the beginning.

Get ready for a tale of greed so twisted you won’t know what’s on the next page or who anyone really is until the…

very…

last…

page. 

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Mental illness in fiction

by rachel tamayo

We love our crazy, don’t we? Books like the You series by Caroline Kepnes, The Shining by Stephen King, and the umpteen other psychological thrillers that line shelves as far as the eye can see in bookstores both digital and physical. 

We love these characters. They grip us. Like in The Shining, Jack Torrence and his slow maddening decent into a paranormal induced psychotic break. Or Joe, who becomes rapidly obsessed with one woman after the next, every female is “the one.”  Or how about this classic, the little talked about The Island of Doctor Moreau by H.G Wells in which the mad scientist Dr. Moreau moves to an island and performs extreme and horrifying experiments creating a mass of animal-human hybrid creatures? 

These characters have all got one thing in common. Insanity of one form or another. History proves that little to nothing was known about the general craziness perceived in the population, and anything that was perceived as out of the norm led to people being locked away for the rest of their natural lives in deplorable conditions. Now we are left with reminders of these actions in abandoned asylums and story after story of once horrendous hospitals haunted by the long dead spirits of the abused and mishandled. This brings to mind characters like the wife in the attic in the classic romance, Jane Eyre. 

But now, in the year of our lord 2022, things are a bit different, or so we like to think, anyway. Now we have the Movement for Mental Health, we have the National Alliance on Mental illness, numerous hashtags, and so many more.  There is an attempt to understand, treat, and accept mental health disorders for what they are, diseases of the mind. 

So this bids the question, has this changed how we perceive and create our crazed characters? In the past these sorts of characters were easy additions to tales meant to shock and frighten readers. There was no reason to explain, or even humanize these characters. They were all just “crazy” bad guys. 

Now, authors like myself, tend to do things differently. Researching legitimate mental problems, reaching out for history, truth, facts about treatment and the effects such things have on others around them. All these things create reality, truth-based fiction around real illnesses that need attention. Things these people have to deal with, the uphill battle their disease creates while they and their loved ones try to seek help.  It generates an entirely new form of psychological fiction. The harsh reality being that there generally is little to no treatment, very little help, and sometimes things go very wrong, and get very bad. As someone that has years of experience dealing with the law enforcement side if this issue, and has training to do so, I see both sides of this coin. Terrifying things happen due to mental disease. 

Books like Jane Eyre were written 175 years ago. In the nineteenth century, they were painted as dangerous lunatics and the only solution to their dangerous lunacy was imprisonment. In the Twenty-first century, we like to think we paint them in a different light. 

But have we?

Rachael Tamayo is the bestselling author of the award-winning Deadly Sins series, and the bestselling award winner (soon to be re-released) Crazy Love. Before she started her writing career, she was a highly awarded 911 emergency services dispatcher with twelve years of experience and many commendations under her belt. Upon exiting law enforcement, she’s focused her writing on the dark, suspenseful, and psychological. Now Rachael uses her dark thriller as a sort of self-therapy after all those years answering 911, and works what she knows into frighteningly realistic and layers characters her readers love her for. Rachael lives on the Texas Gulf Coast near Houston with her husband of eighteen years and their two children.


author email: rtamayo@rachaeltamayowrites.com
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Published January 18th 2022 by St. Martin's Press

A biting novel from an electrifying new voice, Such a Pretty Smile is a heart-stopping tour-de-force about powerful women, angry men, and all the ways in which girls fight against the forces that try to silence them.

There’s something out there that’s killing. Known only as The Cur, he leaves no traces, save for the torn bodies of girls, on the verge of becoming women, who are known as trouble-makers; those who refuse to conform, to know their place. Girls who don’t know when to shut up.

2019: Thirteen-year-old Lila Sawyer has secrets she can’t share with anyone. Not the school psychologist she’s seeing. Not her father, who has a new wife, and a new baby. And not her mother—the infamous Caroline Sawyer, a unique artist whose eerie sculptures, made from bent twigs and crimped leaves, have made her a local celebrity. But soon Lila feels haunted from within, terrorized by a delicious evil that shows her how to find her voice—until she is punished for using it.

2004: Caroline Sawyer hears dogs everywhere. Snarling, barking, teeth snapping that no one else seems to notice. At first, she blames the phantom sounds on her insomnia and her acute stress in caring for her ailing father. But then the delusions begin to take shape—both in her waking hours, and in the violent, visceral sculptures she creates while in a trance-like state. Her fiancé is convinced she needs help. Her new psychiatrist waves her “problem” away with pills. But Caroline’s past is a dark cellar, filled with repressed memories and a lurking horror that the men around her can’t understand.

As past demons become a present threat, both Caroline and Lila must chase the source of this unrelenting, oppressive power to its malignant core. Brilliantly paced, unsettling to the bone, and unapologetically fierce, Such a Pretty Smile is a powerful allegory for what it can mean to be a woman, and an untamed rallying cry for anyone ever told to sit down, shut up, and smile pretty. 

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As the synopsis says, this book is a feminist narrative for those told to "sit down, shut up, and smile pretty." While I would probably classify it as a modern thriller, it does have horror elements. However, the absolute horror in it is how the women and girls are overlooked, scrutinized, and discounted. It does feature heavily on mental illness and the treatment of such so those with triggers might best pass this one by.

The story is told in alternating fragments by unreliable narrators: Caroline in 2004 and her daughter, Lila in 2019. The novel begins with the figure known as The Cur taking another girl and leaving only her rent and battered body. Mother Caroline knows more than she is letting on and her daughter, Lila at thirteen, is ongoing changes that are leaving her angry and confused. To compound everything, Lila is feeling smothered by her mother's protective behavior. Throw in a decrepit amusement park, the site of Caroline's disappearance as a child, and there is much more to the story than we at first know. 

One thing to address is that the "crazy woman" trope has been used in so many ways and is honestly one of the most insulting tropes out there. Having men quickly brush off behavior that doesn't comply with their expectations and therefore, deem it as madness, is only one of the many ways that women are disregarded. Thus, the stigma of mental illness continues. In Such a Pretty Smile, both mother and daughter are questioning if what they are experiencing is reality or some construction of the figurative demon inside. While this trope has been abused often—insinuating the hysteria of women—in this novel it serves as a reminder of how men are quick to overlook and ignore women. Unfortunately, it almost became a caricature of itself. Every single man in this story is painted with the same brush of being the superior intellect: the outclassed artist boyfriend, the neglectful and distracted father, and the patronizing psychologist. Had there been one supportive healthy male figure in the book, I think it would have elevated the feminist theme.

There was something about the way this story was told that maintained my interest in spite of the waffling narratives. While at times, the novel sped along, it unfortunately also tarried overlong in a few places. The vast majority of the story carried more questions obfuscating the threat. I had no qualms with the writing itself; its language was darkly descriptive and compelling. I was left dissatisfied with its ending though. Was the beast schizophrenia, hormonal, familial? After an incredibly long build-up to the finale, I felt like I was left with more answers instead of a sense of completion. Still, it was a memorable read, though an unusual, more introspective one than normal. 

Published March 22nd, 2022 by Titan Books

Jack Corman is failing at life. Jobless, jaded, and facing the threat of eviction, he’s also reeling from the death of his father, one-time film director Bob Corman. Back in the eighties, Bob poured his heart and soul into the creation of his 1986 puppet fantasy The Shadow Glass, but the film flopped on release and Bob was never the same again.

In the wake of Bob’s death, Jack returns to his decaying childhood home, where he is confronted with the impossible — the puppet heroes from The Shadow Glass are alive, and they need his help. Tipped into a desperate quest to save the world from the more nefarious of his father’s creations, Jack teams up with an excitable fanboy and a spiky studio exec to navigate the labyrinth of his father’s legacy and ignite a Shadow Glass resurgence that could, finally, do Bob proud.

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Eighties babies, do you remember the magic of your childhood watching Atreyu set off on his journey to save the Empress or Jen and Kira on the quest to retrieve the crystal? What about Sarah's trek to the center of the labyrinth or Jack traveling to Darkness' castle to release the unicorn? All of those movies that we watched a million times over wishing that magic was real and that we, too, had an epic fantasy quest that we were destined for. Listen to me when I tell you, this book will bring all those feelings back for you in your monotonous, suburban 8-5 life. Maybe that's a bit harsh but can it compare to a grand adventure? The Shadow Glass is just that; a grand adventure where fiction meets fact.

In 1986, Bob Corman constructed a world of warring tribes of creatures in Iri and brought them to life on film. While the film didn't do so well upon release, it became a sensation years later as all the kids who grew up watching it, well, grew up idolizing the film. We're talking Comic cons and cosplaying the characters that ingrained themselves upon young hearts and minds. Poor Bob never got to see it play out though and instead spent his life drinking his bitterness away. Towards the end, Bob became seemingly confused, frequently stating that the characters and worlds were real—the apparent ramblings of a senile mind for all to see. He was so enamored of this other world that his own son Jack spent his life feeling unloved and forgotten, becoming quite bitter himself.

Now before you go feeling too sorry for Jack, the only reason he's even in this story is that he's returned to his father's home after his death. He's not there to close the estate or reminisce about his father. He's there hoping to retrieve one of his father's treasured puppets to sell to pay off his own debts. Yeah, he's a peach. Only he discovers that his father wasn't so crazy as the world of Iri literally comes to life in the attic of his father's house. Jack is quickly thrown back into the memories of his childhood as he and his newfound nerdy motley crew set out to find all the pieces of the mirror that will put Iri back to right. 

The Shadow Glass was a surprise to me, to be honest. I went into it with no preconceived notions and found myself absolutely unable to set it down. By the end of the first few chapters, I was invested in Iri and its inhabitants and in Jack's tale as well. There is a bit of everything we 80s kids loved about the epic fantasies of our youth—action, adventure, great villains and even greater heroes, high stakes, humor, and even the unexpected emotional tug on your heartstrings. The stories of our youth never shied away from the darkness and neither does The Shadow Glass. Josh Winning weaves all the enchantment with hard topics such as Bob's alcoholism and Jack's feelings of abandonment. There is absolutely no doubt that he knows his fantasy tropes and employs them liberally. Instead of these tired tropes feeling unoriginal, he manages to spin them into something familiar yet new, rocking us 80s babies in the cradle of the stories that we cut our teeth on.