Published March 22nd, 2022 by Titan Books

Jack Corman is failing at life. Jobless, jaded, and facing the threat of eviction, he’s also reeling from the death of his father, one-time film director Bob Corman. Back in the eighties, Bob poured his heart and soul into the creation of his 1986 puppet fantasy The Shadow Glass, but the film flopped on release and Bob was never the same again.

In the wake of Bob’s death, Jack returns to his decaying childhood home, where he is confronted with the impossible — the puppet heroes from The Shadow Glass are alive, and they need his help. Tipped into a desperate quest to save the world from the more nefarious of his father’s creations, Jack teams up with an excitable fanboy and a spiky studio exec to navigate the labyrinth of his father’s legacy and ignite a Shadow Glass resurgence that could, finally, do Bob proud.

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Eighties babies, do you remember the magic of your childhood watching Atreyu set off on his journey to save the Empress or Jen and Kira on the quest to retrieve the crystal? What about Sarah's trek to the center of the labyrinth or Jack traveling to Darkness' castle to release the unicorn? All of those movies that we watched a million times over wishing that magic was real and that we, too, had an epic fantasy quest that we were destined for. Listen to me when I tell you, this book will bring all those feelings back for you in your monotonous, suburban 8-5 life. Maybe that's a bit harsh but can it compare to a grand adventure? The Shadow Glass is just that; a grand adventure where fiction meets fact.

In 1986, Bob Corman constructed a world of warring tribes of creatures in Iri and brought them to life on film. While the film didn't do so well upon release, it became a sensation years later as all the kids who grew up watching it, well, grew up idolizing the film. We're talking Comic cons and cosplaying the characters that ingrained themselves upon young hearts and minds. Poor Bob never got to see it play out though and instead spent his life drinking his bitterness away. Towards the end, Bob became seemingly confused, frequently stating that the characters and worlds were real—the apparent ramblings of a senile mind for all to see. He was so enamored of this other world that his own son Jack spent his life feeling unloved and forgotten, becoming quite bitter himself.

Now before you go feeling too sorry for Jack, the only reason he's even in this story is that he's returned to his father's home after his death. He's not there to close the estate or reminisce about his father. He's there hoping to retrieve one of his father's treasured puppets to sell to pay off his own debts. Yeah, he's a peach. Only he discovers that his father wasn't so crazy as the world of Iri literally comes to life in the attic of his father's house. Jack is quickly thrown back into the memories of his childhood as he and his newfound nerdy motley crew set out to find all the pieces of the mirror that will put Iri back to right. 

The Shadow Glass was a surprise to me, to be honest. I went into it with no preconceived notions and found myself absolutely unable to set it down. By the end of the first few chapters, I was invested in Iri and its inhabitants and in Jack's tale as well. There is a bit of everything we 80s kids loved about the epic fantasies of our youth—action, adventure, great villains and even greater heroes, high stakes, humor, and even the unexpected emotional tug on your heartstrings. The stories of our youth never shied away from the darkness and neither does The Shadow Glass. Josh Winning weaves all the enchantment with hard topics such as Bob's alcoholism and Jack's feelings of abandonment. There is absolutely no doubt that he knows his fantasy tropes and employs them liberally. Instead of these tired tropes feeling unoriginal, he manages to spin them into something familiar yet new, rocking us 80s babies in the cradle of the stories that we cut our teeth on. 

Published June 7, 2022 by Black Spot Books

The skeletons in the closet have nothing on the one in your backyard.

Freshly divorced and grieving the death of her father, Josie Lauer has caged herself inside her home. To cope with her losses, Josie follows a strict daily routine of work, playing with her dog, Po, and trying to remember to eat a decent meal—and ending each night by drinking copious amounts of vodka. In other words, she is not coping at all.

Everything changes when Josie wakes to find a small shrub has sprouted in her otherwise dirt backyard the morning after yet another bender. Within hours, the vine-like plant is running amok—and it’s brought company. The appearance of the unwieldy growth has also heralded the arrival of a busybody new neighbor who insists on thrusting herself into Josie’s life. The neighbor Josie can deal with. The talking skeleton called Skelly that has perched itself in Josie’s backyard on a throne made of vines, however, is an entirely different matter.

As the strangely sentient plant continues to grow and twist its tendrils inside Josie’s suddenly complicated life, Josie begins to realize her new neighbor knows a lot more about the vines and her bizarre new visitor than she initially lets on. There’s a reason Skelly has chosen to appear in Josie’s suddenly-blooming backyard and insists on pulling her out of her carefully kept self-isolation. All Josie has to do is figure out what that reason is—and she has only a few days to do it, or else she might find herself on the wrong side of catastrophe.

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Tiffany Mueret came onto my radar thanks to A Flood of Posies, a very strange but disorienting novel about two sisters, a flooded world, and the creatures that lie beneath the waters. It was definitely an experience but while mesmeric, it's one of those that you aren't sure if it's happening in the characters head or if it's really happening.. I felt that exact same way while reading Little Bird. 

To start with, Mueret undoubtedly writes substantial characters. As with A Flood of Posies, her main character is a complicated woman with complex emotions.  In this case, Josie Lauer is grieving after the death of her father and the end of her marriage. She sequesters herself inside her house with only her dog, Po, for company and seeks to drown herself each night in copious amounts of vodka so she doesn't have to face her grief. She's crotchety and unsociable, with her only interactions being by email for the company she runs, which ironically is teaching companies how to communicate effectively to solve problems with their clients. Being in customer service myself, I can certainly understand the duality of being "on" professionally and hating people in private. That sounds horrid but anyone front-facing in their jobs understands, so I completely get Josie.  

One day, what Josie thinks is a weed pops up in her backyard. Shortly thereafter, a new neighbor appears; a very assertive and cheerfully demanding neighbor, who doesn't get that Josie just wants to be left alone. Then up shoots Skelly, a philosophical sentient skeleton sitting on throne made of vines in the backyard. Suddenly, Josie is no longer alone and can't shut everyone out. 

While the interactions of Skelly the skeleton and Josie are unquestionably interesting and oftimes humourous, I kept waiting for something additional to happen. The majority of the book is spent with Skelly and Josie in conversation or Josie in her on head. While I had expectations at first, I wouldn't say it is horror. There's an assuredly supernatural aspect to it but I'd still file it somewhere under dark fantasy or magical realism than horror. There's nothing inherently scary about it—even the skeleton is described as a Halloween decoration or toy. It's about grief, tough emotions, and having to  and sometimes those can be scary enough.

Published June 1, 2021 by Waldron Lake Books

Magic may be secret, but it’ll kill you anyway.

Small town mayor’s assistant Elizabeth has enough on her plate grieving her father’s suicide. She doesn’t need his stash of magical knowledge in the attic. She doesn’t need the hidden supernatural subculture of monsters it pulls her into. And she certainly doesn’t need hints that her father’s madness might have been a smokescreen for something far darker.

But uncovering her father’s secrets could be the only way Elizabeth can stop a string of suspicious suicides… if the local wizard doesn’t rip the memories out of her mind, first.

Wizards, right?

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Ordinary humans stumbling into the magical world isn't anything new, though usually those humans are far from ordinary as they typically have yet unfulfilled magical powers. Not so in A Grimoire for Gamblers. Our protagonist is truly human and has only stumbled into the magical world after the death of her father many years after admitting himself into a psychiatric ward. 

I appreciated that Elizabeth doesn't have any powers. She's been thrown into this world and she doesn't mysteriously pick everything up through mitosis. As with most urban fantasy MCs, she's a little bit snarky and we spend a lot of time in her head listening to her as she tries to figure this all out. She doesn't immediately merge with this new world and spends a lot of the time wondering if her father's supposed insanity isn't genetic. At this point though, why not try a spell to see and she does, with the help of computers, scanners, and even a Cricut. Annnd promptly sets herself on fire. Okay, so she's muddling through the best she can but she's smart and she'll figure it out. 

True to the rules of urban fantasy, the world-building is enmeshed in the "real" world as we humans know it. Oh sure, there are some interesting locales such as the casino where humans are gambling with their souls and a fighting arena where supernatural creatures are pitted against each other. At the same time, the vast majority of this book takes place right here, in the city Elizabeth knows. 

There were a few holes in the plot I think, or at least in the plot devices. While the toy voodoo train set up in the attic was neat, I didn't really understand what it had to do with everything. Why would her dad have a train linked to the real-world train? And some of the characters weren't really explained. Gravelings? Vampiric Spirits? Also, from the first pages, Elizabeth mentions her boyfriend and thinks about him throughout the novel. He's not even really in the book other than her thoughts, so what was the point of having her in a relationship? 

All in all, though, this was a pretty solid urban fantasy. It managed to be very unique in a lot of ways, including the technology-boosted magic. Work smarter, not harder, right? There were obviously some things that didn't work as well for me, but as this is the first in the series, I'm not going to judge it too harshly. It's hard to do urban fantasy that hasn't been done before and this is a solid foundation for the series to continue.

Publication date: March 31st, 2022

Links: Amazon | Goodreads

Turn the lights on. Lock the door. Things are about to get SERIOUSLY SCARY!

The brand new must-read middle-grade novel from the author of super-spooky Crater Lake. Perfect for 9+ fans of R.L.Stine’s Goosebumps

It's basically the worst school detention ever. When classmates (but not mate-mates) Hallie, Angelo, Gustav and Naira are forced to come to school on a SATURDAY, they think things can’t get much worse. But they’re wrong. Things are about to get seriously scary.

What has dragged their teacher underground? Why do the creepy caretakers keeping humming the tune to Itsy Bitsy Spider? And what horrors lurk in the shadows, getting stronger and meaner every minute…? Cut off from help and in danger each time they touch the ground, the gang’s only hope is to work together. But it’s no coincidence that they're all there on detention. Someone has been watching and plotting and is out for revenge…

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Dread Wood follows Angelo and classmates Hallie, Gustav, and Naria as they head to detention on a Saturday. They are only told to wear PE clothes and shoes for "outdoor activities" so they are figuring they'll be stuck doing chores around the place. Gustav is described as "walking chaos", Naria being the "uptight, overachiever", and Hallie as "vegetarian, an LGBTQ+ ally, and welcomer of refugees." None of them are friends but they are all stuck in this together. 

It doesn't take any time for the tension to really get ratcheted up. Mr. Canton is in charge of this Back On Track session as it's called but he quickly goes missing while looking for the groundskeeper. They find Mr. C again, but something sucks him straight into the ground and he's gone, clawing and scraping at the grass that is sucking him under.  From there it's a mad dash of twists and turns, as these four play a terrifying game of survival.

I appreciated that there was more to the characters than at first anticipated. They are so much more than their first takes and as they find a way to work together, all these unexpected qualities shine through. As it turns out, they all have personal struggles and it actually bonds them together as they learn more about each other. There are some pretty serious issues that they are grappling with: bullying, poverty, disability, and living up to parental pressures. It's all handled with grace and a lot of quippy humor.

Don't think just because it's middle-grade that it doesn't have its share of chills and thrills! Arachnophobes may want to bypass this one. (There are spides on the covers so no spoiler there.)  Dread Wood is a fun, action-filled romp through creepy town! 

 

About the Author

Jennifer Killick is the author of Crater Lake, the Alex Sparrow series, and middle-grade sci-fi adventure Mo, Lottie and the Junkers. She regularly visits schools and festivals, and her books have three times been selected for The Reading Agency's Summer Reading Challenge. She lives in Uxbridge, in a house full of children, animals and Lego. When she isn't busy mothering or step-mothering (which isn't often) she loves to read, write and run, as fast as she can.

Twitter: @JenniferKillick

Publication date: May 24, 2022

Goodreads

SOME EVIL WANTS TO LIVE FOREVER.

Ten years ago a witch sacrificed Britta Orchid’s family and turned her into a werewolf. Selena Stone’s spell failed, and she was never seen again. Until now.

Officer Aaron Labaye has discovered Selena’s remains in the house where Britta’s family died, and dragged Britta back to Louisiana to aid the investigation, hoping her past will break the case. Britta has a hard time resisting the handsome rookie, especially when he shows her a new drawing by her murdered little brother: Britta in her wolf-form.

As an unseen hand sets events in motion, Britta has to help Labaye dig into the murders old and new. The bloodthirsty ghost of her brother, a jealous member from her pack, and a former friend with a serious prejudice against wolves all stand to stop Britta as she fights to finally get the truth about that night ten years ago. But, as she looks harder than ever into her own dark past, Britta will confront more than just her own demons as she fights for peace for herself and for her family. She can’t hide anymore, but must find her place in a world she’s avoided—and discover what it truly means to be a wolf.

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Throw Me to the Wolves is hard to define in the way of genres. From the cover, I expected something more along the lines of contemporary horror. It is, for lack of a better definition, urban fantasy with darker themes. That didn't affect my enjoyment; In fact, since I primarily review horror and urban fantasy, this was the perfect mix! There's murder, ghosts, witches, police investigation, voodoo, and of course, werewolves all rolled up into one satisfying occult thriller burrito.

The story begins with Britta Orchid being questioned in a police interrogation room. You can tell immediately that she's confident and almost a little cocky. She enjoys that she's spooked the cop she calls Officer Shiny Badge and even waves to the people she knows are behind the two-way glass. She wears a "polished, non-threatening persona" like a mask and is very secure in the knowledge that between the two of them, she is the bigger, bad in the room. Why wouldn't she be? After all, she's a werewolf. Ten years ago, a witch slaughtered her entire family, turned Britta into a wolf, and disappeared. Only now, in the same house where it occurred, pieces of the witch have shown up and the police are asking for her help. 

In spite of discovering everything backward from Britta's memories as the story progresses, the story never felt mired down. The past is gradually parceled out in alternating chapters with the present, a style that usually frustrates me. However, Britta's past is just as interesting as she threads memories of her family in with her return to the bloodstained house. Both are equally horrifying with the past containing religious fervor and the supposed exorcism of Britta's ten-year-old brother and the present, the spectral regurgitation of her deceased brother and of course, the murder house.  

Is there romance in this book? That's debatable. There is definitely a touch of the fated mates trope. There is also a werewolf from Britta's pack up north who has decided that he and Britta would be the perfect power couple. Was I stanning either of them? Well, it's complicated but without giving away a major plot point, I can't tell you how. The author does a good job of muddying the waters, making you unsure of who is the good guy. It all comes out in the end, kinda. We're given a prominent cliffhanger ending but if you read a lot of urban fantasy, you frankly should be anticipating that. Given that there's a diminutive Book 1 note by the title, we should expect that there will be a future continuation of the story contrived. 

Publication date: October 21st, 2021

Goodreads

How do you survive hearing your family being brutally murdered over the phone? For Father Raul Figeuroa, all faith and hope are lost. Turning away from the priesthood behind, he retreats to his aunt's empty farmhouse in upstate New York, hoping to drink himself to oblivion. But he's not alone in the house. Something is trying to reach out to him. Or is he losing his grip on reality? When his childhood friend Felix comes to visit, things take a darker turn. The deeper they dig into the mystery, the closer they get to hell literally breaking loose.

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Shea has a knack for producing raw, emotionally driven horror with imperfect, broken characters. His novel Creature broke my heart with its flawed characters and poignant storytelling and Faithless is no different. 

Faithless starts with anxiety-fueled adrenaline as Father Raul Figeuroa drives home one rainy night only to hear his family cry out as they are attacked and killed. He makes it home minutes too late. The police have no leads and the loss sends Raul reeling. He retreats to his late aunt's farm where he spent time growing up, truly hoping to drink himself stupid. And he does. 

After the first few pages, Faithless loses its momentum but I wouldn't expect any novel to hold such a frenetic pace. It's a slow burn as we cycle through the anguish and heartbreak that Raul experiences, even as he tries to drown his sorrows. Shea has created this character that your heart can't help but bleed for as he mourns his family. The loss is so profound that his faith, which has carried him for so long, suddenly can't be maintained. It's a thought that any person grieving might think: Why does God let these things happen? Only Raul's loss has completely ripped away his faith and in turn, his sense of self. It's heartbreaking and raw and Shea leaves us drifting away completely with Raul, unsure of his faith and his sanity. 

Strange things start happening in the house. He hears the voice of his wife coming through the vents and the laughter and footsteps of his children overhead. Is it just the grief or is he truly haunted by the restless spirits of his family? The appearance of his old friend Felix can't even shock Raul out of his stupor, though Felix offers what the police can't—a possible unmasking and potential retribution. Felix at least breaths some life into the story during a long period of drinking, pill-popping, and wallowing. He leaves Raul to go find answers and it's a much-needed break from the stagnation at the farm. 

Then we truly go down the rabbit hole. This ending is so far-fetched I can't even. It's gory and action-packed but it's out there. Ghosts, cults, attack cats. The eschewing of predestination being more powerful than the battle of good vs. evil. I don't know where I expected Faithless to go, but this was not it. I loved the setup but not the follow-through. Oh, and Bruiser. Always have to love the cat. 

Publication date: February 2nd, 2022

 Goodreads

Mavis Corvid can't remember. Not who she is, nor where she came from. It's been six months and nothing. Zip. Zilch. Now she's settling into a new life. She's back on her feet, literally, and working at a garage in Eustace Park for a boss as grumpy as he is handsome. She has an apartment, friends, and an insatiable curiosity about werewolves.

No one knows why the wolves disclosed their existence to the world, but the one-year anniversary of their reveal is fast approaching. A fight brews between two alphas that could threaten the rest of humanity unless Mavis can remember who she was. She knows she's not a werewolf, but she is something else.

When pushed from a balcony Mavis' second nature reveals itself. She shifts into a magpie to save her skin. Now she'll have to harness her strange abilities and investigate her disappearance to find out what happened to the Aldwulf, the alpha of all alphas. However, the past is gone and Mavis isn't the same person. With the opportunity to be whoever she wants, what kind of person will she choose to be? 

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Set in an alternate version world where werewolves not only exist but have revealed themselves to the public, this urban fantasy by Amber Boudreau is a great addition to the genre. The world-building is solid, the characters are relatable, and there is enough mystery here to keep the pages turning. (Who was Mavis before? What happened to the Alpha?)

After waking up six months ago without a clue, Mavis Corvid still can't remember who she is. She's gone on to choose a new name and quickly rebuilt a life for herself. She is a strong character who didn't spend time feeling sorry for herself when she couldn't remember the particulars of her former life. She just picked herself up and went on with some assistance from those around her. I thought it was unique that she wasn't stressed out that she couldn't remember and that she got to living as best she could. Boudreau also refrained from the typical shifter profile and constructed Mavis as a bird shifter or "two-natured". Deciding to have the main character transform into a magpie kept the shifter trope from feeling stagnant and overused.  

The relationship between Aitch the garage owner and Mavis' boss, was rather humorous. He's a cantankerous thing but Mavis is unfazed and is as cheery as he is cranky. This isn't a completely romance-free urban fantasy but it doesn't overwhelm the plot. It's more of a will they/won't they type of romance that may be developed in future books but it nonetheless made for entertaining banter and heightened tension. 

The ending certainly leaves the door open for a second novel or even the possibility of a series in this new world that I wouldn't be opposed to at all. I enjoyed Mavis coming into her own, learning about herself, and there was enough character growth to move on to a second novel. If you like your urban fantasy to be completely wrapped up at the end, this one may frustrate you a bit. There's a lot left unsaid and unanswered arranging it perfectly for a continuance. I'll definitely be keeping Boudreau on my radar for future releases. 

Today's mini-reviews are Boneset & Feathers by Gwendolyn Kiste, Children of Chicago by Cynthia Pelayo, Certain Dark Things by Silvia Moreno-Garcia.

You don't know their fire is coming until it's too late. That's exactly the way the witchfinders like it. As an isolated enchantress, Odette knows this too well--she lost nearly her whole family to the last round of executions, barely escaping with her own life. All the magic she could conjure wasn't enough to protect her mother and sister, a burden that leaves a despondent Odette practically wishing she'd burned with the rest.

Now it's five years later, and as the last witch left from her village, Odette has exiled herself to the nearby woods where she's sworn off all magic, hoping instead for quiet and for safety. But no witch has ever been permitted a peaceful life.

It starts with crows tumbling out of the clouds and spectral voices on the wind that won't leave her alone. Then there are those midnight visits to the graveyard that she can't quite remember in the morning and the strange children following her everywhere she goes. Odette wants to forget magic, but her magic doesn't want to forget her. Meanwhile, the former friends she left behind in the village are cowering together, hiding from the ghostly birds they believe she's sent to torment them for abandoning her. But that's only the beginning of their problems, as Odette soon discovers their worst nightmare is about to come true--the witchfinders are returning. And this time, the decree is clear: to burn the witch that got away.

With the men drawing nearer to the village, Odette must face the whispers from the dead and confront her fear of her own growing power if she wants any chance of stopping the army of witchfinders determined to rid the countryside of magic once and for all. 

Publication date: November 23rd, 2020

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My Thoughts...

This is my first book of Gwendolyn Kiste's and it won't be my last. Beautifully written, her flowing style took a bit to get into the cadence but once I did, I adored it. While the novella is about a witch, it does more than live up to all the tired tropes about witches. More dark fairytale than horror, there are birds falling dead from the skies and returning changed, an enchanted forest that never spits you out where you came in, strange children, and of course, magic. 

Odette has a reputation as an outsider. The townspeople fear her and instead of blaming their loss on the witchfinders, they choose to blame her as the source of their troubles. Known as the witch who would not burn, Hunted by the witchfinders, Odette not only faced the flames, she somehow consumed them and carry them inside her skin. She's a great character, doubt-filled and living in isolation in the woods away from those who fear her. 

A coming of age story, yes, but this is also a powerful and moving fight for identity, sisterhood, and the right for women to exist without being cowered by men. 

This horrifying retelling of the Pied Piper fairytale set in present-day Chicago is an edge of your seat, chills up the spine, thrill ride. ‪ When Detective Lauren Medina sees the calling card at a murder scene in Chicago’s Humboldt Park neighborhood, she knows the Pied Piper has returned. When another teenager is brutally murdered at the same lagoon where her sister’s body was found floating years before, she is certain that the Pied Piper is not just back, he’s looking for payment he’s owed from her. Lauren’s torn between protecting the city she has sworn to keep safe, and keeping a promise she made long ago with her sister’s murderer. She may have to ruin her life by exposing her secrets and lies to stop the Pied Piper before he collects.

Publication date: February 9th, 2021

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My Thoughts...

There is always a dark side to fairytales and Pelayo gives us a new ominous twist to the Pied Piper, melding fairytale roots, dark urban horror, and police procedural. Chicago's dark and mean streets are laid bare, but there's also beauty there and Pelayo's love of the city shines through. We're given a completely unlikeable female main character, but this is not without planning, as it's also a statement about police and their abusive power without repercussions—a highly controversial topic in today's media. There's a lot of information delivered throughout which at times made the story feel very laden. There's no denying the horror elements of the story, but it almost felt as it was trying to be too many things at once. 

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn't include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.

Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

Publication date: September 7th, 2021

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My Thoughts...

 Sparkley vampires need not apply. Certain Dark Things bring back the cold, aloof vampires of days past. Set in Mexico City, Moreno-Garcia shies away from the busy, bright streets into the back alleys and subway tunnels. It's a very neo-noir take, with gangs, drug cartel wars, and multiple sub-species of vampires. The relationship and dialogue between Atl and Domingo seemed awkward and yet, was still amusing. The lore and legend of vampires were unique and interesting but the best part was the world-building. It's gritty and dark with complex morally grey characters. 

Publication date: June 22nd, 2021

Links: Amazon | Goodreads

The third and final installment in Sean's rip-roaring 'firefighters meet dragons' fantasy series

In the final installment of the Smoke Eaters series, the New United States Army has taken over and America has devolved into a full-on dragon apocalypse. Smoke eaters are banned and have gone into hiding to avoid being held prisoner by the soldiers.

Guiellermo Contreras is a private in the NUSA, and when he's accused of potentially being a smoke eater upon pain of death, he escapes and sets out to find the heroes who disappeared years before. But what he discovers is that the NUSA has been working on something unthinkable, and it's going to take more than a few smoke eaters to stop them.

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After having read Ash Kickers, I couldn't wait to get back into this dragon-filled world. I was surprised that after the cliffhanger ending of Ash Kickers, we start all over with a brand new character but it didn't take long to get back into the flow. The world has progressed through finding out how to deal with the dragons to more of a post-apocalyptic wasteland. The smoke eaters who were idolized years before have been banned. The New United States Army (NUSA) is not the organization that Guillermo Contreras believed it was. They aren't entrusted with keeping the world safe and are in fact, mercenaries who are bullying the civilians into providing resources for them. Contreras steals a tank with the intent of returning home, but things don't always turn out as expected. 

Guilly is a well-crafted character that you can't help but root for from the start. He's listening to his conscience and attempts to flee the NUSA by stealing one of their tanks all while wearing nothing but a bathrobe. You'd think this would be a fantastic idea and that he could escape easily, but the tanks only go so fast, making this more of a humorous would-be sluggish getaway. Upon finding out that he is a smoke-eater and part of a now underground group that he completely fanboyed over, it only gets better from there. 

Once again, Grigsby has continued his portrayal of this unique, but entertaining world. While the setting is much more dystopian than the previous book, it hasn't lost any of its high stakes. There's plenty of action, fire-spewing, and dragon fighting. Plenty of battles to be fought and danger to run towards. There's even the delightful appearance of some of his previous book's characters, tying all the books together. Flame Riders surprised me. Given the time jump and the incongruous new POV, I expected to not enjoy it as much as Ash Kickers but I devoured it in just a few hours. 

Publication date: October 5th, 2021

Links: Amazon | Goodreads

Practical, unassuming Jane Shoringfield has done the calculations, and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town. Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed. Gone is the bold, courageous surgeon, and in his place is a terrified, paranoid man—one who cannot tell reality from nightmare, and fears Jane is an apparition, come to haunt him.

By morning, Augustine is himself again, but Jane knows something is deeply wrong at Lindridge Hall, and with the man she has so hastily bound her safety to. Set in a dark-mirror version of post-war England, Starling crafts a new kind of gothic horror from the bones of the beloved canon. This Crimson Peak-inspired story assembles, then upends, every expectation set in place by Shirley Jackson and Rebecca, and will leave readers shaken, desperate to begin again as soon as they are finished. 

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The Death of Jane Lawrence is a bit of a genre meld: part Victorian-style romance, part gothic horror, with a good splash of the magical realism. It's a odd mix, no doubt.  The first half of the book is traditionally gothic, even if it's based in a world of alternate history. Lindridge Hall is every gothic manor house. The grounds ill-kept, overgrown with vines, dead shrubberies. Inside, it's much the same, with a Winchester House vibe with fake doors, odd hallways, and a locked cellar door. Of course, the house comes with its share of secrets and so does her new husband, Augestine. 

The second half of the book is where things get really odd. I can't say too much without giving away the plot, but think how Mexican Gothic flipped things on its head. You go in expecting a dark past, apparitions, and other gothic accoutrements according to formula but what you get is so much more. Old friends of Augustine's appear at the Hall, bringing metaphysical elements and magic into play. Jane's (and Augestine's) sanity is frequently in question and as she spirals down and down, it gets weird. but in the best way.

I can say without doubt that I loved sensible Jane Shoringfield. Living in a time period where she MUST get married, she makes a list of all the eligible bachelors and lists them off by how likely they are to let her continue with the life she has without disturbing it. She's determined by her careful selection that Dr. Augustine Lawrence is that person. She only has to convince him, which she does, with logic that includes their marriage as a business arrangement. Having spent a lot of time reading Harlequin romances, Jane is exactly the bluestocking kind of character I would choose. Fiercely independent, inquisitive, and ever questioning, she's a force to be reckoned with.

I think those that go in expecting a cut-and-dry gothic ghost story are going to be disappointed with the transcendental twist, but I highly enjoyed it. I favor books that stray outside of the tried and true formula and this one certainly did. 

 In order to get more done this year, I've started doing mini-reviews of somewhat like books. 

These are primarily reads picked up from KU and a few from Netgalley here and there. Any direct requests will not be a part of the mini-reviews series.

Today's mini-reviews are 3 eco-horror books that I read late last year: The Hungry Earth by Nicholas Kaufmann, Mexican Gothic by Silva Moreno-Garcia, and Mass Hysteria by Michael Patrick Hicks. 

Sakima, New York, a sleepy, idyllic city nestled in the Hudson Valley, a place where everyone knows each other, families look after the highly prized community garden, and the crime rate is so low that Dr. Laura Powell, the police department’s medical examiner, spends most of her time tending to her own private medical practice.

That changes drastically the day a local high school student is found dead, an apparent suicide. Called in to perform the autopsy, Laura uncovers a strange growth inside the body, composed of a mysterious substance she can’t identify. Enlisting the aid of her scientist ex-boyfriend, Booker Coates, Laura launches an investigation that leads to a horrifying discovery.

Something deadly has taken root in Sakima, an organism whose toxic influence spreads like a disease through the population, dangerously altering minds and dominating wills, a ruthless intelligence that demands obedience. As more and more townspeople fall under its control, forming violent mobs to seek out those who remain uninfected, Laura and Booker must find a way to stop it before they become its next victims. But how can they stop something they don’t understand?

Publication date: October 5th, 2021

Links: Amazon | Goodreads

My Thoughts...

The Hungry Earth is no doubt a homage to the small-town horror novels of the '80s and early '90s. If I hadn't known when it was published, I would think that I would have picked up this novel at a thrift shop or used bookstore. It's that kind of good. There's plenty of fun body horror with mushrooms bursting eyes from sockets and when not doing the deed themselves, the infected helps them along. The synopsis is straightforward and you won't find very many surprises when it comes to the fate of characters or the plot, but that's the beauty of it. It's a mycelium Invasion of the Body Snatchers when the townspeople hear the call and are unable to resist. They are missionaries, evangelists for the God of Dirt.  It's a mycologist's nightmare. There's nothing scarier than fiction with its basis in fact and The Hungry Earth is a suspenseful, eco-horror that turns into the best kind of '80s horror at its core. 

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.

Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom.

Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.

And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. 

Publication date: july 30th, 2020

Links: Amazon | Goodreads

My Thoughts...

I always dread reading books that have such a good following because I am usually in the minority of loving it. Mexican Gothic was one of those books that kept getting the hype everywhere I turned but thankfully, it did not fall to the popularity curse. 

 

This is a very mystery-driven plot. The eerieness of both the setting and the unknowns of the characters added to the overall feel of the novel. So many gothic checkmarks are hit with this story yet we are still given a wonderfully feminist MC in Naomi. She handles all that is thrown at her with remarkable aplomb. The expected debutant is at odds with the untrusting, independent character that we are given. The house, as in many gothic fictions, is remarkably its own character as it should be, and the worrisome behavior of those in the house only added to the mystery. 

On the same level of novels as Rebecca, Mexican Gothic is atmospheric and evasive.  It's definitely a slow burn, but once the stone starts rolling, it will crush anyone who stands in its way. 

It came from space…

Something virulent. Something evil. Something new. And it is infecting the town of Falls Breath.

Carried to Earth in a freak meteor shower, an alien virus has infected the animals. Pets and wildlife have turned rabid, attacking without warning. Dogs and cats terrorize their owners, while deer and wolves from the neighboring woods hunt in packs, stalking and killing their human prey without mercy.

As the town comes under siege, Lauren searches for her boyfriend, while her policeman father fights to restore some semblance of order against a threat unlike anything he has seen before. The Natural Order has been upended completely, and nowhere is safe.

…and it is spreading.

Soon, the city will find itself in the grips of mass hysteria.

To survive, humanity will have to fight tooth and nail. 

Publication date: August 10th, 2017

Links: Amazon | Goodreads

Brutal is the only way to describe this novel by Michael Patrick Hicks. This is one of those that you don't need to see the trigger warnings on. Assume that if it's a trigger, it's in this book. Necrophilia, bestiality, gore, animal death, child death...the list truly goes on and on. I distinctly remember listening to this while out for a walk and the words that came out of my mouth were "Oh hell no". Truly, if you have any triggers, scroll on by. You have to be able to take a true unflinching look at yourself to see exactly what you can handle. Hicks doesn't waste any time taking you into the graphic depravity of the human mind. Savage and unyielding, this extreme horror is not a story for the faint at heart. 

Hey guys and welcome to 2022 on CLC!  

I am making some resolutions for the New Year but not in the way you might think.  Bookish resolutions only so here we go! 

1. I want to read more and stay off social media. Last year, I did a lot of hiking so that cut into my reading time—which is great since I lost 30 pounds—but also bad since I didn't read as much. This year, I'm going to try for more audiobooks or KU books that I can have Alexa read to me while I walk. 

2. I'm going to be better about getting reviews written. It takes me a long time to format posts and write the review—sometimes hours. I procrastinate a lot as well because it is such a big undertaking. 

That leads me to this post. In order to get more done this year, I'm going to start doing mini-reviews. I have some guilt about not giving all the books equal treatment but I believe that a short review is better than no review. 

These are primarily reads picked up from KU and a few from Netgalley here and there. Any direct requests will not be a part of the mini-reviews series.

Today's mini-reviews are 3 horror novellas that I read late last year: Mouth Full of Ashes by Briana Morgan, The House of Little Bones by Beverly Lee, and Man, Fuck This House by Brian Asman. 

Mourning the sudden loss of her sister, Callie Danoff wants nothing more than to embrace a fresh start in a new town, leaving the haunting memories of her sister’s death behind. But when her brother Ramsay drags her to a spooky boardwalk, the two become entangled with a local vampire gang and its enigmatic leader, Elijah. Callie refuses to accept their existence... until she and her brother unknowingly ingest vampire blood. Now, they only have three days before they turn into vampires themselves.

With her carefree summer thwarted, Callie must trust a group she barely knows in order to save her family. 

Publication date: October 4th, 2021

Links: Amazon | Goodreads

My Thoughts...

Mouth Full of Ashes is my first foray into Briana Morgan's writing and I couldn't start with a better novella than this nod to the 80s' The Lost Boys vampire film. This tale of two siblings trying to make a fresh start in a new town and finding only trouble at the local boardwalk was full of nostalgia. The brother and sister duo get wrapped up in the local vampire clan and mom is even being pursued by the vampire master. 

While it is essentially a reimagining of The Lost Boys, Morgan has a fun carnival/boardwalk setting, believable characters with a heartbreaking past, fun banter and wit, and even a little romance with queer rep thrown in for good measure. The relationship between the siblings is truly the backbone of the story. There's lots of young adult angst and the need to "find yourself" without coming across as too cheesy. While the pacing seemed a bit rushed at the end, there's plenty that makes this fun vampire novella worth reading. 

He thought he was untouchable...

David Lansdown, esteemed British horror writer and supernatural sceptic, is used to basking in the glow of the press. Until a hastily snapped photo hits the headlines and makes his affair with his publisher’s son public.

When David finds himself at Bone Hollow, a house with a glass wall overlooking a wild and desolate moor, his only concern is writing his next best seller to bury his misdeeds in the past.

But something stirs beneath the earth. Something bound to the land. Something determined to take everything from him.

Luca Fox-Waite is still in love with the man who cast him aside, but his own childhood demons lurk in his shadow. As he discovers more about Bone Hollow’s history, he finds himself ensnared in its story—a story steeped in time and tragedy.

Because curses lie in bones, and they do not die.

The House of Little Bones is a tale of avarice, adoration, and of how the sins of the past cling to the living as well as the dead.

Publication date: September 21st, 2021

Links: Amazon | Goodreads

My Thoughts...

The House of Little Bones follows two main characters: best-selling author David and Luca, the 19-year-old son of his childhood friend and publisher. They've had a covert age-gap romantic relationship that has now exploded in the tabloids. At the behest of his agent, David takes a writing sabbatical far away from London. David intends on hiding out in a recently built rental house in the sparsely populated moors to let things die down and refocus on his writing. Strange things start happening to David at the house, which as a skeptic, he dismisses as a prank. Luca is in the background as well, researching the moor that David is living on and trying to keep him safe from harm. 

Lee does an amazing job at writing a character driven narrative. David and Luca's relationship is at the center of this mess and Luca's heartbreak is evident while David's self-centeredness is its own form of misery. It's the ideal backdrop to the folklore-based haunting that is transpiring right under David's nose. The fog and rain-drenched moor setting is perfectly ominous and when the tension crescendos into the most perfect juncture of grief and retaliation, it's exquisite. Horrifying and devastating, this eerie novella sucked me in and left its mark. 

Sabrina Haskins and her family have just moved into their dream home, a gorgeous Craftsman in the rapidly-growing Southwestern city of Jackson Hill. Sabrina’s a bored and disillusioned homemaker, Hal a reverse mortgage salesman with a penchant for ill-timed sports analogies. Their two children, Damien and Michaela, are bright and precocious.

At first glance, the house is perfect. But things aren’t what they seem.

Sabrina’s hearing odd noises, seeing strange visions. Their neighbors are odd or absent. And Sabrina’s already-fraught relationship with her son is about to be tested in a way no parent could ever imagine.

Because while the Haskins family might be the newest owners of 4596 James Circle, they’re far from its only residents…

Publication date: October  19th, 2021

Links: Amazon | Goodreads

This haunted house story focuses on a family moving into a new home that doesn't exactly have the Home-Sweet-Home vibe they were looking for.  Right from the beginning, this novella had me laughing out loud as the family is getting their first glimpse of the house. Mom, Sabrina, turns to the kids in the backseat and immediately delivers an internal soliloquy about her 10-year-old Damien who had "eaten his own twin in the womb" and her ensuing nightmares of him pickaxing his way out of her with his dead brother's bones. Weird? Yes. Hilarious? Also yes but I'm twisted that way. It's just the start of the dark humor that you can expect from this novella, especially where Damien— who really, really likes to mess with his mom by living up to the name and freaking her out on purpose— is concerned.

Don't think it's all fun and games. When the haunting starts with a giant man jovially carrying a box to the basement and then climbing into the tiny crawlspace to disappear, it's creepy. Only Sabrina sees what is happening and as it gets weirder, everyone thinks she's losing it. While the haunting is at first benign, it's no less perplexing and overwhelming for poor Sabrina. The more answers she gets, the more questions she has. 

I love when stories manage to bring something fresh into a typical trope and boy, this novella crushes it. It takes a lot to throw me but I didn't see this one coming at all. It's wonderfully weird. It's irreverently funny. Man, Fuck This House. Come for the title, stay for the exceptional twist on the haunted house story.