Published October 20, 2026, by St. Martin's Press
Motherhood in horror seems to be all the rage these days, but Milkteeth takes it in a brand new direction. Who knew vampires need mommy too?
Most vampire stories are focused on the change to vampire. Someone gets bitten by a vampire, dies, wakes up again, and bam, new vampire. Milkteeth takes it a different direction and questions what happens in between life and undeath and life again. What steps have to be taken for a newly turned vampire to become a productive member of vampire society? What does feeding look like as a hungry newly undead? How does a fledgling learn to control its hunger so the world isn't littered with dead bodies?
As a broodmother, Beatrice does all that and more for newly turned vampires or "fledgings". However, while she's trying to keep her fledglings fed, teach them to control their hunger, and generally trying to keep them from becoming a menance, strange things start happening to her too. The changes become more and more concerning and her hunger is getting worse, her body is changing, and none of it makes sense. Beatrice turns to a mortal doctor for help, which brings a whole other set of problems.
Instead of treating the fledgling as a finished vampire the second they rise from the transformation, Starling gives us the messy, prolonged, very physical process of becoming one. It made me look at the vampire as an entirely different creature instead of just a human with fangs. The broodmother angle brought something new and different too, but I think what I liked most about Milkteeth is that it made vampires feel weird again. Not sexy and brooding. Not tragic and moody. Just weird and very unhuman. I guess what I'm saying is that mothering made vampires less human instead of more. See? Weird.

